tag:blogger.com,1999:blog-11160893638718722292024-03-19T04:18:26.445+01:00Des Livres et des Idées
deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comBlogger101125tag:blogger.com,1999:blog-1116089363871872229.post-83984617834371906572022-07-22T08:52:00.000+02:002022-07-22T08:52:59.363+02:00<table><tbody>
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<a href="https://www.blogger.com/blogger.g?blogID=1116089363871872229" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><b><span style="font-size: small;"><span style="color: #45818e;"><i><span style="font-family: "georgia" , "times new roman" , serif;">« Des Livres et des Idées » est une association implantée depuis plus de vingt ans dans la ville de Colomiers près de Toulouse, qui a pour but de favoriser la circulation des idées et d'organiser des débats publics entre ses membres, autour de livres, de sujets de société et plus généralement de thèmes culturels. Une réunion mensuelle, plusieurs sorties par an et des liens d'amitié entre les adhérents...</span></i></span></span></b></td><td style="text-align: center;"><br /></td></tr>
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</tbody></table>deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-79610895944069573782022-04-02T09:30:00.005+02:002022-04-14T11:08:38.290+02:00"50 poèmes pour la Neige" – Avril 2022<div><div><p></p><table><tbody><tr><td><div class="separator" style="clear: both; text-align: center;">
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<p class="MsoNormal"><span style="font-size: small;"><span style="font-family: inherit;">Cette année, notre festival «50 poèmes pour la
neige » a rejoint le collectif du « Printemps des poètes » de
l'Isle-Jourdain qui nous a ouvert le musée Campanaire, sur la place de l’Hôtel
de Ville, pour y réaliser notre rendez-vous de la poésie qui a eu lieu le samedi
2 avril après-midi avec quelques flocons
qui ont cette année exceptionnellement accepté notre invitation.</span></span></p><span style="font-size: small;"><span style="font-family: inherit;">
</span></span><p class="MsoNormal"><span style="font-size: small;"><span style="font-family: inherit;">Merci au collectif, en la personne de Gauthier Drouin, et à
la mairie de L’Isle-Jourdain pour leur accueil et leur gentillesse.</span></span><br /></p></div>
</td></tr></tbody></table><p class="MsoNormal" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Imaginé à l’initiative de Jack Lang et créé à Paris du 21
au 28 mars 1999, le « Printemps des poètes » est vite devenu une
manifestation d’ampleur nationale, une fête de la poésie dont le but est d’en
favoriser la diffusion auprès du public . Cette année le thème choisi était
« l’éphémère ».</span></span></p><span style="font-size: small;"><span style="font-family: inherit;">
</span></span><p class="MsoNormal" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Il était donc parfaitement normal que notre initiative
conviviale et désintéressée rejoigne cet élan poétique, quoi de plus éphémère bien
évidemment qu’un flocon de neige quand le printemps s’annonce. </span></span></span></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;"><b>1. </b></span><br /></span></span></span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"></span></span></p><center><table><tbody><tr><td><div class="separator" style="clear: both; text-align: center;">
<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD59Tp0zojXGWSdE2s01LNTwY4C2RVU28hZM4-DjdiHSf3GYo8cWatFoW7-3jUjSdtHs4vOpzqRYwsNz5C4TuoP4iAuAnNht0acJcwFFhQHdR-PrSfg1IqBHy4hNkCDtRGE-__nYF630ugcY1HlKPOs_zwJbhuPqfYGCUUPUcxOYsWJTJxVeLnuTRvYA/s1373/Capture%201.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1031" data-original-width="1373" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD59Tp0zojXGWSdE2s01LNTwY4C2RVU28hZM4-DjdiHSf3GYo8cWatFoW7-3jUjSdtHs4vOpzqRYwsNz5C4TuoP4iAuAnNht0acJcwFFhQHdR-PrSfg1IqBHy4hNkCDtRGE-__nYF630ugcY1HlKPOs_zwJbhuPqfYGCUUPUcxOYsWJTJxVeLnuTRvYA/w200-h150/Capture%201.JPG" width="200" /></a><br /></span></span></div></div></div></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></td><td style="text-align: justify;"><div class="separator" style="clear: both;">
<div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1ILoJBEkv3QaOTVXJ3UIGFmJ_FtTMxKsfx73rkMk94JIEsNK6lFNodPTEJHCqiCsVza815Tv2mUAWq16OfDVbfA0McacQsbsKA0sWitEBVwFr50nOUz9SO7pFhs0lR320tHemHwy5B1ZkpRzzHV93GUg43DvO4SUwSOR3iQJScaRE7wCKLsYx2aftQ/s1000/Int%C3%A9rieur%20neige%20-%20Antoine%20VOISIN.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1000" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1ILoJBEkv3QaOTVXJ3UIGFmJ_FtTMxKsfx73rkMk94JIEsNK6lFNodPTEJHCqiCsVza815Tv2mUAWq16OfDVbfA0McacQsbsKA0sWitEBVwFr50nOUz9SO7pFhs0lR320tHemHwy5B1ZkpRzzHV93GUg43DvO4SUwSOR3iQJScaRE7wCKLsYx2aftQ/w229-h155/Int%C3%A9rieur%20neige%20-%20Antoine%20VOISIN.jpg" width="229" /></a></span></span></div></div>
</td></tr></tbody></table><span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></center><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Depuis l’origine, notre ami <b>Claude Barrère</b> nous a accompagnés avec son amitié et sa culture, son décès brutal l’an dernier nous a laissé un grand vide ; heureusement il nous reste ses gravures et ses textes qui méritent d’être lus et mieux connus. <br /></span></span></div><center><span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></center></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">C’est donc en hommage à Claude que nous avons présenté le livre <span><b><i>Intérieur Neiges</i></b></span> co-réalisé par <b>Antoine Voisin</b> et Claude Barrère et édité par les éditions "Réciproques". Merci à Antoine et à Geneviève André-Acquier d’avoir évoqué la présence de Claude dans la réalisation de ce beau livre d’artiste qui a été son dernier coup de plume. </span></span><br /></div><div><span style="font-size: small;"><span style="font-family: inherit;"><br />Je retiendrai pour ma part cette citation : « <i><span style="font-family: georgia;">Sans la neige nous n’aurions d’autre choix que le noir.</span></i> »</span></span></div><div><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;"><b>2. </b></span></span></span></span></span></div><center><table><tbody>
<tr> <td><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD4fpTPLhubw2wE9GN8BlTaXXQdaocTKPjTQKi8kdasT-20wY3e80QsaQ63MLPA8DST1EXYeAJiTDAWX2LGAtTnbYg1KTGX9uACIFfezFjNq51-t8pMUgMZ2AOi3AzqVtcPCG4ixZYxHZfJb8yrQW-SW1R-VG1-g0g-eSaQGf_EpaCFymI6SsP2ewleg/s391/Presse-papier01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="391" data-original-width="360" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD4fpTPLhubw2wE9GN8BlTaXXQdaocTKPjTQKi8kdasT-20wY3e80QsaQ63MLPA8DST1EXYeAJiTDAWX2LGAtTnbYg1KTGX9uACIFfezFjNq51-t8pMUgMZ2AOi3AzqVtcPCG4ixZYxHZfJb8yrQW-SW1R-VG1-g0g-eSaQGf_EpaCFymI6SsP2ewleg/w184-h200/Presse-papier01.jpg" width="184" /></a></div></div></td> <td> </td> <td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWQ_FzONb9TqtCy9rvoAw6qHGy7-fn90i47ZUEqvKDmgJK_qqtZNuRZ-xhokkr6KLAflrUah_KklzZNj_gZz01EE2IZiAosIlIrR-AjJVAPteH7PtANQe1yTfktwk7PQvV74UM9ZMp8cmbL9KgL3Aur6c4ZW0ZeIV-cKCaq3PoCIbEcIO6-C0JFtWhsQ/s588/116379158.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="583" data-original-width="588" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWQ_FzONb9TqtCy9rvoAw6qHGy7-fn90i47ZUEqvKDmgJK_qqtZNuRZ-xhokkr6KLAflrUah_KklzZNj_gZz01EE2IZiAosIlIrR-AjJVAPteH7PtANQe1yTfktwk7PQvV74UM9ZMp8cmbL9KgL3Aur6c4ZW0ZeIV-cKCaq3PoCIbEcIO6-C0JFtWhsQ/w200-h198/116379158.gif" width="200" /></a></td> </tr>
</tbody></table></center></div></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Dédié cette année à Fernando Pessoa, c’est avec plaisir que nous avons découvert (ou mieux connu pour certains) l’immense et labyrinthique œuvre du poète portugais. Merci à Jean-Yves et à Svante pour la lecture de quelques pages qui nous ont ouvert avec délice ses multiples horizons poétiques.</span></span><br /><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><div style="margin-left: 40px;"><span style="font-size: small;"><span style="font-family: inherit;">Extraits du <i><b>Le gardeur de troupeau et autres poèmes</b></i> d’Alberto Caeiro. </span></span><br /><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><span style="font-size: small;"><span style="font-family: inherit;">Extraits du <i><b>Livre de l’Intranquillité</b></i>. </span></span><br /></div><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><span style="font-size: small;"><span style="font-family: inherit;">De cette œuvre, je garderai cette belle formule de son hétéronyme Alvaro de Campos tiré du poème « Bureau de Tabac » : « <i><span style="font-family: georgia;">Je ne suis rien. Jamais je ne serai rien. Je ne puis vouloir être rien. Cela dit, je porte en moi tous les rêves du monde. </span></i>»</span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><p class="MsoNormal" style="text-align: center;"> <span style="font-size: small;"><span style="font-family: inherit;"> <span style="font-size: medium;"><b>3</b></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;"><b>. </b></span></span></span></span></span></p><center><table><tbody>
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</tbody></table></center><p></p><p></p><div style="text-align: center;"> <span style="font-size: small;"><span style="font-family: inherit;">Un coup de cœur également pour les recueils de poésie des éditions N&B : <br /></span></span><p style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><i><b>J'adhère à la brique </b></i>de
<b>Svante Svahnström</b> poète franco-suédois, devenu occitan en adhérant à
notre pays de cocagne , mais dont la poétique est universelle. Une
lecture en duo à la découverte de cette approche originale et
humoristique de la France, de l’infiniment grand jusqu’aux plus petits
de ses habitants… </span></span></p><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b><i>Notes pour un fantôme suivi de Hétéroclites</i></b>
de <b>Raymond Farina</b>, modestie du propos et humour raffiné que l’on
retrouve dans cet extrait : « <i><span style="font-family: georgia;">À celles qu’a laissées l’Histoire j’avoue
préférer d’autres traces, celle de mes oiseaux d’enfance.</span></i> » </span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div></div><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"> <span style="font-size: medium;"><b>4</b></span><span style="font-size: medium;"><b></b></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;"><b>. </b></span></span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: center;"><p style="text-align: center;"></p> <center><table><tbody>
<tr> <td><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvSj9ZvhjYJm-6Eg9GZLjQ_yJLHui3XHQCCCrd7pvJloymxtiaUR3bYV4-WDua6DeNSuBn11giAFhUIOVmEGbnanUBsbpOzKfamcsdf6526MsoHDuIlDl2bjzRp53UXaKVGE2Nu7EwuDMArCdYgwf8e1LFRKNgQGN_5b_vbeToxfI1ty1wzZ1ucy5Ssw/s3560/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2002" data-original-width="3560" height="130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvSj9ZvhjYJm-6Eg9GZLjQ_yJLHui3XHQCCCrd7pvJloymxtiaUR3bYV4-WDua6DeNSuBn11giAFhUIOVmEGbnanUBsbpOzKfamcsdf6526MsoHDuIlDl2bjzRp53UXaKVGE2Nu7EwuDMArCdYgwf8e1LFRKNgQGN_5b_vbeToxfI1ty1wzZ1ucy5Ssw/w230-h130/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%204.jpg" width="230" /></a></span></span></td> <td></td> <td><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMUMF-YroEoEboPPWlXg-6KlJneT1ttqlWRDxEnZ5SjX2d3f0UUCTIsca_OXOHaWWbjoP80ZRqnMDxnOSWgBijunehIue06ShENFBAdq6OnSdjwWoRl9MT8qV10qWJkNkCBu4S2wDQap3vgGsk4NvmuS_hO9yfNKUOj_N628gEbOO0uLv0nF_HVGPQoQ/s4000/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2250" data-original-width="4000" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMUMF-YroEoEboPPWlXg-6KlJneT1ttqlWRDxEnZ5SjX2d3f0UUCTIsca_OXOHaWWbjoP80ZRqnMDxnOSWgBijunehIue06ShENFBAdq6OnSdjwWoRl9MT8qV10qWJkNkCBu4S2wDQap3vgGsk4NvmuS_hO9yfNKUOj_N628gEbOO0uLv0nF_HVGPQoQ/w236-h134/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%202.jpg" width="236" /></a></span></span></td> </tr>
</tbody></table></center><p></p><p></p></div><div style="text-align: center;"><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Micro ouvert à ceux qui, parmi nos amis ou au sein du public présent sur place, ont bien voulu nous faire partager un texte, une annonce ou une émotion. </span></span><br /><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><span style="font-size: small;"><span style="font-family: inherit;">La richesse des différentes interventions reflète bien la vigueur du label de « Ville en poésie » attribué à L’Isle-Jourdain. Un grand moment et un grand merci à la chorale de chants polyphoniques en plusieurs langues qui nous a enchantés avec son récital et a confirmé notre volonté de créer une « Europe de la poésie ». </span></span></div><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
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</span></span></p><span style="font-size: small;"><span style="font-family: inherit;"></span></span><div style="text-align: justify;"><div style="text-align: justify;"><span style="font-size: small;">M<span style="font-family: inherit;">erci également à notre ami Dominique pour ses quelques chansons inspirées par la neige qui ont si bien mis un point d’orgue à notre rencontre poétique avant un buffet gentiment organisé pour nous réchauffer de la rigueur d’un hiver tardif mais bien présent. </span></span><br /><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><span style="font-size: small;"><span style="font-family: inherit;">Il restera de cette belle après-midi quelques feuilles sur l’arbre à poésie que l’autan dans sa fureur a dû disséminer comme des fruits déhiscents. </span></span><br /><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br /><span style="font-size: small;"><span style="font-family: inherit;">Les livres dont des extraits ont été lus au cours de la rencontre sont encore disponibles à la <b>librairie Effets de Pages</b> qui nous a accompagnés pour cette rencontre et que je remercie au passage. </span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: right;"><span style="font-size: small;"><span style="font-family: inherit;">Patrick Zemlianoy </span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfulOZe149D--lUHww-sugbJoN-rPMtZKzZcAjTBeq6dMEYWjSmNAWtkVdCVRKN290vF5TmIXoq2KnXC2Mn9cTNDm4Z_AFwA-6ktD8XLqV_hz0guybhmN3_uvEkas5sqBrS53Bx3pmHVp7k2hqL94cTkV_v22H_n3rttDHzX3F3BxVlddtd5yHYm5fEw/s3503/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%20V4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2484" data-original-width="3503" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfulOZe149D--lUHww-sugbJoN-rPMtZKzZcAjTBeq6dMEYWjSmNAWtkVdCVRKN290vF5TmIXoq2KnXC2Mn9cTNDm4Z_AFwA-6ktD8XLqV_hz0guybhmN3_uvEkas5sqBrS53Bx3pmHVp7k2hqL94cTkV_v22H_n3rttDHzX3F3BxVlddtd5yHYm5fEw/w400-h284/N&B%2050%20POEMES%20POUR%20LA%20NEIGE%202022%20V4.jpg" width="400" /></a></div><br /></span><br /></div><span style="font-size: small;"><span style="font-family: inherit;"></span></span></div></div>deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-60513315560485778252021-02-07T13:19:00.013+01:002021-03-03T17:59:25.230+01:00"50 poèmes pour la Neige" – Février 2021<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCQxT2VhI7wozWpoBsL91iyfn4njF2qj910StqliSBuIAvj4s4EAZB8yRrp-F_sCYmf0_7VkeSb8vn0Y3PadMdzx-kS5t1qwSSHDuRhHyFTCh-XYIjSGE1f62Ej5rvh2w5jsZIVUqOR_b7/s2048/Affiche+2021.jpg" style="clear: right; display: inline; float: right; font-family: inherit; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" data-original-height="2048" data-original-width="1448" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCQxT2VhI7wozWpoBsL91iyfn4njF2qj910StqliSBuIAvj4s4EAZB8yRrp-F_sCYmf0_7VkeSb8vn0Y3PadMdzx-kS5t1qwSSHDuRhHyFTCh-XYIjSGE1f62Ej5rvh2w5jsZIVUqOR_b7/w141-h200/Affiche+2021.jpg" width="141" /></a></p><br /><div style="text-align: justify;"><span style="font-family: inherit;">Nous présentons notre festival de poésie dans des conditions un peu particulières, en espérant retrouver l'an prochain la convivialité et le cadre de l'Ostal d'Occitánia que nous avons tous appréciés lors des éditions précédentes. </span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><div style="text-align: left;"><span style="font-family: inherit;"><b style="text-align: center;"><a href="https://youtu.be/G7bxx4w1MsA" target="_blank">La vidéo de l'édition 2021</a></b></span></div></blockquote></blockquote><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><br /></div><p></p><div class="separator" style="clear: both;"><div style="text-align: justify;"><blockquote><span style="font-family: georgia;"><i><b>Claude Barrère</b>, notre ami poète et graveur, très investi dans notre association depuis longtemps, travaillait depuis plusieurs semaines sur cette édition virtuelle du festival avec son inspiration, sa rigueur et son exigence habituelles. Il nous avait offert quelques poèmes inédits que vous retrouverez dans la vidéo et avait prévu de faire quelques enregistrements de textes. Il nous a malheureusement quittés juste avant... Notre festival de poésie dont il était l’âme depuis 6 ans se tient cette année pour sa mémoire.</i></span></blockquote></div><div class="separator" style="clear: both;"><center><table><tbody><tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhYp-uVVqkq-o5HQgmMRmzi1INKF_oqF53J8sKF9RBKR2geVnF_32ktxRgeA6qRlpIlydjnl53NCDjryMKCCP4SLr_KjoGQZENzhbOUbI_YT4F332kxHIV5zpvc3O0q4q86oqFjwZ6Vh56/s2048/claude+4.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1544" data-original-width="2048" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhYp-uVVqkq-o5HQgmMRmzi1INKF_oqF53J8sKF9RBKR2geVnF_32ktxRgeA6qRlpIlydjnl53NCDjryMKCCP4SLr_KjoGQZENzhbOUbI_YT4F332kxHIV5zpvc3O0q4q86oqFjwZ6Vh56/w207-h156/claude+4.jpg" width="207" /></a></td><td><br /></td><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwXxKgfHGYu9Zj855MfzITz2unPTjFGwz2u-6oXy2iGehePzbU355vB1ZsLAemqNYd-UhOiwjcrUf1WxaPlixhNZltXVYK2eCoJBaIWS_kzOTZln0D1JPYxSi5_H3k0SukmSElsqYgOD07/s2048/claude+3.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1645" data-original-width="2048" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwXxKgfHGYu9Zj855MfzITz2unPTjFGwz2u-6oXy2iGehePzbU355vB1ZsLAemqNYd-UhOiwjcrUf1WxaPlixhNZltXVYK2eCoJBaIWS_kzOTZln0D1JPYxSi5_H3k0SukmSElsqYgOD07/w200-h161/claude+3.jpg" width="200" /></a></td></tr></tbody></table></center></div><div style="text-align: right;"><blockquote><span style="font-family: georgia;"><i>Patrick, Maryse et Rose-Marie</i></span></blockquote></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://deslivresetdesideesblog.blogspot.com/p/brouillon.html" target="_blank">Lien vers les comptes rendus des années précédentes</a></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both;"><br /><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br />deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-63504078627669877242020-02-28T13:26:00.000+01:002021-01-31T18:26:49.107+01:00“50 poème pour la neige” – Février 2020<div style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrFKPNeLuH_XZJkhKb8BURtLwYh3HXd-xUvXdYykE3pKQo3Z7Kq_cgu8XOCEkswmbtfROvu-lNgV7uYVX7iN_uO9pp0bnZrFkgwzSELpbg-vC8TfbQF3MaoTqcgmbUuQyu2J4mjXsBZrnT/s1600/50+po%25C3%25A8mes+pour+la+neige+AFFICHE+2020.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrFKPNeLuH_XZJkhKb8BURtLwYh3HXd-xUvXdYykE3pKQo3Z7Kq_cgu8XOCEkswmbtfROvu-lNgV7uYVX7iN_uO9pp0bnZrFkgwzSELpbg-vC8TfbQF3MaoTqcgmbUuQyu2J4mjXsBZrnT/s200/50+po%25C3%25A8mes+pour+la+neige+AFFICHE+2020.jpg" width="141" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">La cinquième édition du
festival <b>« 50 poèmes pour la neige »</b> était dédiée cette année à la
poésie grecque contemporaine, plus particulièrement à <b>Dinos
Christianopoulos</b> et aux grands poètes qui l’ont marquée avec une grande
diversité d’inspirations : <b>Yánnis Rítsos</b>, <b>Odyssèas Elỳtis</b> et <b>Georges
Séféris</b>. Un hommage particulier a été rendu à <b>Kiki Dimoula</b> disparue le
22 février dernier et à <b>Loránd Gáspár</b> poète d’origine hongroise,
traducteur de Séféris et également décédé en octobre 2019.</span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Cette soirée a une fois encore atteint ses objectifs de partage poétique
et de convivialité, et c’est grâce à vous tous. Je garde pour ma part
le souvenir de vos participations actives dans ce cadre agréable, et
maintenant familier, de cette belle salle Antonin Perbosc de l’Ostal
d’Occitanie. Merci à : </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Antigone Trogadis</b>
pour l’évocation de Georges Séféris, fortement inspiré par la patrie
perdue, avec « le Roi d’Asiné » et son acropole mycénienne ; </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Yánnis Rítsos</span></span></span></span>,
immense poète dont on connait l’engagement pour la liberté ,avec un
extrait du « Chant de ma sœur » texte empreint d’humanité et </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Odyssèas Elỳtis</span></span></span></span>,
surréaliste dont la poésie est imprégnée du soleil de la mer Égée, avec
un extrait d’« Axion esti », hymne qui exalte la lutte héroïque des
Grecs en faveur de la liberté.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Cathy Lebel, Emma Durand et Claude Barrère</b> pour la lecture des poèmes de Dinos Christianopoulos « Ithaque », « Volupté Nocturne » et « Le Ver dans le corps » qui ont mis en lumière sa personnalité complexe écartelée entre désir de chair et pesanteur du péché.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Claude Barrère </b>pour l’hommage rendu à Kiki Dimoula, récemment disparue, avec la lecture du poème « Scènes de ménage impérissables », et pour nous avoir donné à découvrir Lorand Gaspar qu’il a bien connu. L’extrait proposé de l’« Approche de la parole » a bien illustré la pensée de cet homme de science (chirurgien et spécialiste de neurosciences) pour qui la constitution d’un poème est comparable à celle du cerveau humain. </span></span><br />
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Georges Vidal</b>
et la magnifique évocation en chansons de la poésie de Constantin
Cavafy, père spirituel de Dinos Christianopoulos, avec « Ithaque » et «
Alexandra Leaving » et également « Grand père » de Georges Moustaki et «
Bateau de Grèce » évoquant la nostalgie et la liberté durement conquise
par le peuple grec qui a inspiré Lluis Llach. </span></span></td> <td><br /></td> <td><div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Nicole Couzinié</b> pour la lecture du poème de Maurice Carême « Il a neigé » qui a ravivé en nous le temps déjà ancien des leçons de récitation. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Catherine</b> avec le poème « Tes empreintes » de Paul Guillon, pour qui la neige nous révèle l’essentiel de notre environnement. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Viviane Prat</b> avec « Lit de neige » nous a fait toucher à la pureté et à la désolation que nous suggère ce poème de Paul Celan. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Nicole Folch</b> a donné un autre éclairage sur la neige avec les poèmes de Jean Sénac et de Jacques Ancet qui évoque silence et blancheur des « Traces dans la neige ».</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /><b>Franc Bardou</b> a fait résonner la salle Antonin Perbosc de sa voix de troubadour, avec la version originale en occitan et en français de son poème « Rivage clair », sur la mélodie d’une ballade écossaise, qui décrit les rives imaginaires d’un Ithaque occitan.</span></span><span style="font-size: small;"><span style="font-family: inherit;"><b> </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Yves Drouin</b> pour cette lecture du très beau poème « Nuits » de Lorand Gaspar où l’on a pu écouter le feu crépitant dans une cheminée, trace de vie dans la brume de l’hiver qui nous enveloppe…, complétant ainsi la description que nous a fait Claude Barrère de l’œuvre de ce grand poète. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Luc Girves</b> pour la lecture slamée de textes originaux écrits à dessein pour éveiller notre curiosité et mettre nos sens « sens dessus dessous ». </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Dominique Duverneuil</b> pour l’évocation musicale de la Grèce et la lecture des quelques vers du poème « Quand il neige » d’Albert Lozeau qui chantait notre belle province. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Svante Svahnström</b> pour la lecture des Haïkus proposés dans les poèmes surprises ainsi que pour avoir partagé en français et dans cette belle langue suédoise un peu de son horizon poétique d’« universification ». </span></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
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<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><b>Claude Barrère</b> pour un extrait du futur livre d'artiste « Intérieur neiges » réalisé avec les aquarelles d'<b>Antoine Voisin</b>.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><br />Un merci particulier également à : </span></span><br />
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Maryse Zemlianoy </b>et<b> Rose-Marie Van Vlasselaer</b> pour le travail de préparation et de mise en forme de tous les documents supports de cette soirée. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Les éditions N&B</b> qui ont offert 3 livres pour la loterie. Antigone Trogadis et Rabia<span style="font-size: large;">,</span> étaient présentes pour dédicacer leur exemplaire<span style="font-family: inherit;"> aux heureux gagnants.</span></span></span></li>
</ul>
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<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTFTomqfqlhOXmzsG9iugXnfSLTjsYLEmZdVyUVHjy6OgV4EWhrijfTIYSBvhyphenhyphen55-6SyoySv8XkW8VXchjmff6521c2EelTcbePhd8fOaBQ7vso9FxXgaCRCVjU0-QqjkCoYe2dEnjvWim/s1600/Presse-papier07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="537" data-original-width="954" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTFTomqfqlhOXmzsG9iugXnfSLTjsYLEmZdVyUVHjy6OgV4EWhrijfTIYSBvhyphenhyphen55-6SyoySv8XkW8VXchjmff6521c2EelTcbePhd8fOaBQ7vso9FxXgaCRCVjU0-QqjkCoYe2dEnjvWim/s200/Presse-papier07.jpg" width="200" /></a></div>
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Christian Saint-Paul</b> qui nous a ouvert les ondes de son émission hebdomadaire "Les poètes" que je vous encourage à suivre hebdomadairement sur Radio Occitanie.</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Gauthier Drouin et Convergencia Occitania</b> qui ont mis à notre disposition la salle et les moyens vidéo. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Le restaurant « A Taula »</b> avec Maria et Timothée qui ont apporté la touche de convivialité indispensable pour faire de cette soirée une réussite appréciée par tous. </span></span></li>
</ul>
</div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Nous espérons que les petits poèmes choisis par les organisateurs et mis en forme par Maryse donneront le goût et l’envie de découvrir ou de mieux connaitre leurs auteurs.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"> Pour plus d'informations, rendez-vous sur : </span></span></div>
<div style="text-align: justify;">
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://deslivresetdesideesblog.blogspot.com/?fbclid=IwAR3YGuQ-gXuDLOEEehGCjJY90Zs2KG4tNMFwbRkMlt73ji-VdGvS0c92OS4">https://deslivresetdesideesblog.blogspot.com/</a></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><a href="http://n-et-b-editions-poesie-toulouse.org/accueil.asp?fbclid=IwAR24sdyhkUI5c6Oaxzpse4xqecN0fe7Bi313WzA6yAp1I5QF_QC3tYGycf8">http://n-et-b-editions-poesie-toulouse.org/accueil.asp</a></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://lespoetes.site/emmission/emmission.html?fbclid=IwAR240YXrvTlYLbXwch2OBXf2bqrpqT9aW3PPyeCRi3XcaRKj-QawS101XLo">https://lespoetes.site/emmission/emmission.html</a></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.facebook.com/50poemsforsnow/?__tn__=K-R&eid=ARDHht5_GyFv-s9h6YkD6TQ5CIWB5dV-f-cN4kGoCLfdZkQnPeclCoNHgNofQw6m-Ya0kTZwBz_jEKwK&fref=mentions&__xts__%5B0%5D=68.ARDCb5ocq8D0TERl9TYd1GANV3apc0TY0xY20_IAfNEG8OaOSs9N1CLIltjZGPvBs_5o1pTHKKSbXViScPkwyKqoc35L-Rgy1_dfvMQ4bIbfKe7ttyRtTygX5-7OxA0eop3c0NQOanUmbeBbr6F3P-wqBuKUui6imUPEl_3EEVeejvQp8vlXNSsF9_0eANnwmx10E_UkYcvavxXWfftLSPuXQYFwLaeA4rZgv_Tm5bTV0yNLqFT4P4hEgYLr4SXKq2UqAdMv3qhckCIQjCk1ebgPnF5aUgHfLI6ZoHaT-NfVEJmnTrNjRy2i4gQ1jjh3Nj7KZe6WkLnJhdfImagINMfWfZc6">https://www.facebook.com/50poemsforsnow/</a></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://georgesvidal.blogspot.com/">https://georgesvidal.blogspot.com/</a> </span></span></li>
</ul>
<span style="font-size: small;"><span style="font-family: inherit;">A l’année prochaine pour de nouveaux horizons poétiques.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><br /> Patrick Zemlianoy</span></span></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-47695886686585727252019-10-13T13:45:00.000+02:002019-11-04T16:07:23.990+01:00Sortie Cabardès<div style="text-align: justify;">
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<b><span style="font-size: small;"><span style="font-family: inherit;">Balade en Cabardès « cathare » et troubadouresque</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Le dimanche 13 octobre, l’association « Des Livres et des Idées » est allée à la découverte du Cabardès, premières côtes de la Montagne noire au-dessus de Carcassonne, méritant d’être visité pour son présent tranquille et son histoire mouvementée et amoureuse.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Tout d’abord, nous sommes partis à l’assaut des châteaux de Lastours, un des lieux emblématiques du pays cathare avec les 4 forteresses de Cabaret, Surdespine, Quertinheux et Tour Régine qui, perchées sur un éperon rocheux, dominent fièrement le village situé le long des berges de l’Orbiel.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La petite randonnée pour y accéder nous a dévoilé des ruines pleines de mémoire et un splendide panorama, honnête récompense de nos efforts.
Francis Pornon, notre guide pour cette occasion nous a éclairé de ses connaissances sur l’Occitanie médiévale au temps des cathares qu’il a tant fréquenté pour l’écriture de ses 3 romans historiques...</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga2fHTxXyORqlP-kStVUcJnK0MBB2sxgDv2ZpgnlAEQhYjXJhP7xCIipHXzS3_Pv_4Ay-YVEK_wTDGSPJ9I98fev7sDoJQd5C5goYaO1n9BUE3BVqN6Lor8Nj79EqqzesVU-qGJl2uayqt/s1600/IMG-20191013-WA0001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga2fHTxXyORqlP-kStVUcJnK0MBB2sxgDv2ZpgnlAEQhYjXJhP7xCIipHXzS3_Pv_4Ay-YVEK_wTDGSPJ9I98fev7sDoJQd5C5goYaO1n9BUE3BVqN6Lor8Nj79EqqzesVU-qGJl2uayqt/s200/IMG-20191013-WA0001.jpg" width="113" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM30GeqjfYCQaQY1p68lNPkiuGwjcOPNEXEDbgEYZZuViLu2bk-4X9QzqBMWrb4wkbfddrOVhYI7jNmWqrte_uTiDuPFSopEwzCrzEjoWwrDN3rbdXGOuU61wRG8faI2aQh8p9Zexy8_V3/s1600/DSC_0627.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1065" data-original-width="1600" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM30GeqjfYCQaQY1p68lNPkiuGwjcOPNEXEDbgEYZZuViLu2bk-4X9QzqBMWrb4wkbfddrOVhYI7jNmWqrte_uTiDuPFSopEwzCrzEjoWwrDN3rbdXGOuU61wRG8faI2aQh8p9Zexy8_V3/s200/DSC_0627.JPG" width="270" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEn-mvBRPYDrCQoKJlmREmAIrQXWc-taof4ZE8nusvIqXA5ahyoTkdaChwJXL1vKigVoOdJZBrjfYPCFYSoJlvAP3musKKkD8UVjd-Bgar_MaRS-o2USdWpBO8FAahoiyxTSw8XgsMoew7/s1600/IMG-20191013-WA0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEn-mvBRPYDrCQoKJlmREmAIrQXWc-taof4ZE8nusvIqXA5ahyoTkdaChwJXL1vKigVoOdJZBrjfYPCFYSoJlvAP3musKKkD8UVjd-Bgar_MaRS-o2USdWpBO8FAahoiyxTSw8XgsMoew7/s200/IMG-20191013-WA0003.jpg" width="113" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Nos
pas nous ont ensuite conduit, en remontant la vallée de l’Orbiel,
jusqu’aux vestiges du petit castel du grand troubadour Raimon de
Miraval, maintenant oublié parmi les châtaigniers, que notre ami Francis
a fait revivre avec bonheur… certains d’entre nous ont même cru
apercevoir sur la route de Burlats un troubadour partant rejoindre à
cheval sa belle Adélaïde, fille du comte Raymond V de Toulouse… mais
c’était après le déjeuner que nous avons pris avec plaisir et
convivialité dans une auberge (Sire de Cabaret) du charmant petit
village de Roquefère. </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La garrigue et le maquis dominent avec leurs chênes verts et diverses essences les paysages du Cabardes ; on pourrait</span><span style="font-family: inherit;"> </span>presque se croire dans un lieu béni de dame Nature si ce n’était les traces de l’ancienne mine d’or de Salsigne (la plus importante d’Europe à l’époque de sa splendeur), un lieu des plus pollués à l’arsenic, où la montagne n’en finit pas de suer ses scories toxiques dans le cours de l’Orbiel. </span></div>
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<tr> <td><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFjoNCzmkiVSouj5K1ckgRwYyBjFSaoy6iITSNlM8X17Oh6tXA28F1n4iLqdiEsoviP6ztUe-xumoTG6KBsMRJ8mBIPGp_EOWcyu5_9DYDKIB3j0nnnLw07eNdaRzziuzF9KlrXxAkoDiY/s1600/20191013_174631.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFjoNCzmkiVSouj5K1ckgRwYyBjFSaoy6iITSNlM8X17Oh6tXA28F1n4iLqdiEsoviP6ztUe-xumoTG6KBsMRJ8mBIPGp_EOWcyu5_9DYDKIB3j0nnnLw07eNdaRzziuzF9KlrXxAkoDiY/s200/20191013_174631.jpg" width="112" /></a></span></td> <td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">C’est
ce lieu que notre guide nous a donné à découvrir dans une ambiance de
brume tout à fait raccord avec son histoire. Lieu de travail pour des
générations de mineurs, lieu de souffrance pour certains d’entre eux
venus des 4 coins de l’Europe et maintenant lieu de désolation. </span></span></td> <td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg0dz3NlmY6tkVEtGgRNu7XyBlHcJlazlk1-JF6lpIHpGkVJeWeOi1tvWVjdTc9Fm3VwVUR_yVIKs7sykW1i8k3EEpJA2dvFqVE5VJITZK11tJDjGlNsWNI9ML-l9-Von7pOgG1uOzjGqT/s1600/20191013_174756.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg0dz3NlmY6tkVEtGgRNu7XyBlHcJlazlk1-JF6lpIHpGkVJeWeOi1tvWVjdTc9Fm3VwVUR_yVIKs7sykW1i8k3EEpJA2dvFqVE5VJITZK11tJDjGlNsWNI9ML-l9-Von7pOgG1uOzjGqT/s200/20191013_174756.jpg" width="112" /></a></td> </tr>
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<span style="font-size: small;"><span style="font-family: inherit;">Nous
avons ensuite quitté cette terre de contraste dont Francis Pornon a su
parfaitement et avec amour nous faire partager la beauté un peu sauvage. </span></span></div>
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<a href="https://www.francispornon.fr/" target="_blank"><img alt="https://www.francispornon.fr/" border="0" data-original-height="600" data-original-width="344" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilrWicrih36SGSRFY5oIBmQAcUSmLTWR2cipSEeIoG6jgK4uptAAsiS8Ap_7NeYOWe4fSVP1NUE_aP4T8-qRjzP5R0eZMz_We-196oYtZJ4PXSQ48xG-Ko0m81c0sUA9YFBxmgbM_dQlme/s200/Francis+Pornon.jpg" width="114" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><a href="https://www.francispornon.fr/" target="_blank"><span style="font-size: small;"><span style="font-family: inherit;">Site de Francis Pornon</span></span></a><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: xx-small;">🔺🔻🔺🔻 </span></span></span><br />
<i><span style="font-size: small;"><span style="font-family: inherit;"></span></span></i></div>
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<i><span style="font-size: small;"><span style="font-family: inherit;"></span></span></i><br />
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<blockquote class="tr_bq">
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<i><span style="font-size: small;"><span style="font-family: inherit;">Quand le poète marche dans ses chemins familiers, de ceux qui vont de nulle part à nulle part, c’est-à-dire de ceux qui vont et qui viennent au fond du cœur et de la mémoire… </span></span></i><i><span style="font-size: small;"><span style="font-family: inherit;">Une poésie forte de ses vents fous et de de ses cailloux, de ses figuiers ou tamarins, de ses vignes…</span></span></i></blockquote>
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</blockquote>
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<i><span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-size: small;"><span style="font-family: inherit;"><b>Franck Raymond</b>, poète occitan Leucatois récemment décédé, qui défendait la langue de ses racines et les mots appris de ses grands-parents…</span></span></i></span></span></i></blockquote>
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<span style="color: #444444;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><b>LASTOURS</b></span></span></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Dans le soleil rasant, à l’heure qui décline </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le soir semble enflammer les châteaux de Lastours </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">En embrasant à vif une à une les tours. </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Querthineux, TourRégine, Cabaret, Fleur d’Espine. </span></i></span></div>
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<span style="color: #444444;"><br /></span>
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Sont toujours fort dressées. Or le temps qui chemine </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">S’est figé dans l’instant d’un décompte à rebours… </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Du plus haut des donjons jusqu’à la basse-cour </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le silence pesant, persistant, me fascine. </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><br /></span>
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> </span></i><i><span style="font-family: "georgia" , "times new roman" , serif;">Alentour la garrigue se défroisse sans bruit, </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Les ombres s’allongent à l’appel de la nuit, </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Derrière l’accalmie, un sourd tumulte couve.</span></i></span></div>
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<span style="color: #444444;"><br /></span>
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Serait-ce les faidits s’en revenant du val ? </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Un sirventès que chante Raimon de Miraval ? </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le rire ironique de la charmante Louve ? </span></i></span></div>
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<span style="color: #444444;"><span style="font-size: x-small;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> </span></i></span></span><br />
<span style="color: #444444;"><span style="font-size: x-small;"><span style="font-family: inherit;">« Terre de vents, d’hommes et de pierres » <br />Editions Nouvelle Pléiade Paris.</span></span></span><br />
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-57165014548857165232019-06-14T08:04:00.000+02:002019-10-14T14:04:21.090+02:00Voyage Argelès sur mer<span style="font-size: large;">Vendredi 14 juin</span><span style="font-size: large;"> </span><br />
<span style="font-size: small;"><br /></span><span style="font-size: small;">7h45 : Rendez-vous et départ gare de Colomiers<br />10h45 : Argelès sur mer – Mémorial du Camp (Retirada)<br />13h : Repas en bord de plage d’Argelès<br />14h : Cimetière des Espagnols à Argelès<br />15h : Visite de la vieille ville d’Argelès<br />18h : Direction Hôtel Oasis – Le Racou<br />19h : Apéritif « La cave Santenach </span><span style="font-size: small;"><span style="font-size: small;"><span style="font-family: inherit;">»</span></span> – Le Racou<br />20h : Repas Restaurant L’Oasis<br />23h : Hôtel Oasis – Le Racou</span><br /><span style="font-size: small;"><span style="font-size: large;"> </span></span><br />
<span style="font-size: small;"><span style="font-size: large;">Samedi 15 juin </span><br /> </span><br />
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbCOcf6FvBl6wbv6sX3uGjTWmqj0lF8HEhcFpZlshaAu1T2UPcPBcUB1l-lM58qkVN333iHVfL7eLIsfRmoFWeYWEA239OygE2Kh5xMmBltplJMtRMNk_yC-lIetez-204BmjCkqEBgro8/s1600/20190825_175034.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbCOcf6FvBl6wbv6sX3uGjTWmqj0lF8HEhcFpZlshaAu1T2UPcPBcUB1l-lM58qkVN333iHVfL7eLIsfRmoFWeYWEA239OygE2Kh5xMmBltplJMtRMNk_yC-lIetez-204BmjCkqEBgro8/s200/20190825_175034.jpeg" width="200" /></a> </span><br />
<span style="font-size: small;">11h : Visite du château de Collioure<br />13h : Repas au pied des murailles du château de Collioure </span><br />
<span style="font-size: small;">15h : Visite de l’église Saint André de Sorède<br />17h : Visite de l’abbaye Saint Genis des Fontaines<br />19h : Visite du port de Port Vendres<br />20h : Repas restaurant l’Archipel – Port Vendres </span><br />
<span style="font-size: small;">23h : Hotel Oasis – Le Racou<br /><br /><span style="font-size: large;"> </span></span><br />
<span style="font-size: small;"><span style="font-size: large;">Dimanche 16 juin </span><br /><br />11h : Visite du Musée d’art contemporain de Céret<br />13h : Repas dans l’allée ombragée de Céret - Brasserie<br />15h : Visite du musée des instruments et des cultures du monde à Céret<br />17h : Retour à Colomiers</span><br />
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-5640554818241112222019-06-07T09:16:00.000+02:002019-10-14T13:36:37.619+02:00La chute d'Icare<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: inherit;">Pour cette dernière conférence de la saison 208-2019, Michel, alors qu'il nous avait annoncé la grotte de Bedheillac, nous a présenté – avec beaucoup d'humour et à la façon d'une célèbre émission de télévision – le vol et la chute d'Icare. Une excellente soirée ponctuée de nombreux fou rires qui restera dans nos mémoires !</span></span><br />
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<tr><td style="text-align: center;"><a href="https://drive.google.com/file/d/1fPBnfEKMmaSw1CvJkA6DYHPjEJ2efDUi/view?usp=sharing" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="383" data-original-width="374" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisch3IYm9u0Rmqy_XLph9401TBBkG8MREMB2DiiU0hXaG6ftXtW9XZ5SMpMfViyAGpCmqhZquHQ9Xrunv6EQX0FTWNACrx4C-jzEkcWzZggoqsYebUQbXyux62k9c9W3q9zh2zLVlCdTVK/s200/Presse-papier01.jpg" width="195" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://drive.google.com/file/d/1fPBnfEKMmaSw1CvJkA6DYHPjEJ2efDUi/view?usp=sharing">Voir le diaporama </a></span></span><span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxW3oaf5dIp6ifp53ebYORMoqz7mRdNwVk8tQYISKihXfDxcbw5T6D_VeKxakKCgMzP_0hynp6_GMed62uVOhuiQaXpvAWjmkt5YmVxGVfVCVE7FFxQsBoUphC-x9Jw5_Wp-due7agYS0_/s1600/schwan_gr.gif" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br />
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<b><span style="font-size: small;"><span style="font-family: inherit;">Le vol du faucon crécelle</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxW3oaf5dIp6ifp53ebYORMoqz7mRdNwVk8tQYISKihXfDxcbw5T6D_VeKxakKCgMzP_0hynp6_GMed62uVOhuiQaXpvAWjmkt5YmVxGVfVCVE7FFxQsBoUphC-x9Jw5_Wp-due7agYS0_/s1600/schwan_gr.gif" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxW3oaf5dIp6ifp53ebYORMoqz7mRdNwVk8tQYISKihXfDxcbw5T6D_VeKxakKCgMzP_0hynp6_GMed62uVOhuiQaXpvAWjmkt5YmVxGVfVCVE7FFxQsBoUphC-x9Jw5_Wp-due7agYS0_/s320/schwan_gr.gif" width="215" /></a>Vous avez peur des turbulences en avion ? Bonne nouvelle ! Le faucon crécerelle est le seul rapace à pouvoir pratiquer le vol stationnaire. Il se place face au vent, ajuste son incidence, et baisse la tête. Comme suspendu à un fil, parfaitement stabilisé, il scrute le sol à l’affût de la moindre proie. </span></i></span></span></span><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: inherit;">Une technique de chasse qui le rendrait 10 fois plus efficace. </span></span></span></i></span><br />
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: inherit;">Le
faucon maîtrise les forces du vent et les turbulences. Grâce à ses
plumes, il arrive à sentir et évaluer les changements dans la vitesse et
l’incidence des courants d’air. Ces informations sensorielles l’aident à
ajuster son plumage et sa trajectoire. Il réalise des battements
d’ailes de compensation en fonction des flux d’air ressentis. Cette
stratégie a inspiré des chercheurs de l’Université de Melbourne pour
développer un système anti-turbulences pour avions. Des capteurs placés
sur les ailes analysent la vélocité et l’angle des courants d’air et
permettent au système de contrôle de l’avion d’ajuster la trajectoire.
Le résultat est bluffant ! </span></span></span></i></span></span></span></span></i></span></div>
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<b><span style="font-size: small;"><span style="font-family: inherit;">Premières ailes battantes </span></span></b></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><b>Saut depuis la Tour Eiffel en 1912</b></span></span></center>
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<br /><b><b> Voler de ses propres ailes...</b></b></span></span></center>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Un robot qui vole comme un oiseau</b></span></span><br />
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-67411456484149314602019-04-14T16:52:00.000+02:002019-05-04T17:05:58.423+02:00Sortie à Mirepoix<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">La sortie des livres et des idées en terre d’Ariège s’est déroulée le dimanche 14 avril 2019 avec la présence de notre amie Raymonde dont nous avons fêté pendant le repas le 91ème anniversaire. </span></span></div>
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<span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>MIREPOIX</b></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Une guide que l’on devinait profondément attachée à son territoire, à la fois compétente, sympathique et bienveillante à l’égard de notre petite troupe souvent dissipée nous a accompagnés au fil de cette journée pour successivement nous faire découvrir Mirepoix.<br /><br />Dépendante du comté de Foix, la ville fut gagnée par le catharisme à la fin du XIIe siècle. Un concile en 1206 y rassembla 600 cathares. La ville fut prise en 1209 par Simon de Montfort qu’il donna à un de ses lieutenants Guy de Lévis (originaire du village de Lévis-Saint-Nom dans les Yvelines) donnant naissance à la puissante famille languedocienne de Lévis-Mirepoix. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">La ville, initialement établie près du lit de l’Hers, sur sa rive droite, est inondée suite à la rupture du lac de Puivert par une violente crue qui emporte la majeure partie de la population provoquant plus de mille morts. Elle a été rebâtie immédiatement sur une terrasse naturelle surélevée de l’autre rive de la rivière. <br /><br />Mirepoix fut un évêché jusqu’en 1801 et de cette époque subsiste l’ancienne cathédrale Saint-Maurice et le palais épiscopal, bâtiment de style Renaissance, construit à la demande de Philippe de Lévis (1466-1537).</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">La place centrale est entourée de maisons à colombages aux couleurs vives dont nous avons découvert avec bonheur les décors sculptés de la maison des Consuls : cent têtes et personnages caractéristiques de l’imagerie médiévale (tortues, oiseaux, figures obscènes ou tragiques, etc.) ornent ses poutres. <br /><br />Un excellent repas très convivial au restaurant des Minotiers a été le point d’orgue de notre visite, gentillesse du service et qualité des plats ont été appréciées par tous.</span></span><br />
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<blockquote class="tr_bq">
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<span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>CAMON</b></span></span></span></div>
</blockquote>
<span style="font-size: small;"><span style="font-family: inherit;"></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">La tradition veut que ce soit Charlemagne qui ait, en 778, au retour de Roncevaux fondé un monastère sur cette petite éminence rocheuse située dans une courbe de l’Hers. Au XIIe siècle elle en devint un simple prieuré. Le 18 juin 1279, l’abbaye avec ses fortifications fut aussi détruite par la rupture du barrage de Puivert. <br /><br />C’est Philippe de Lévis-Mirepoix, évêque de Mirepoix et prieur de Camon, qui va reconstruire au début du XVIe siècle l’ensemble des bâtiments que l’on a pu visiter avec notre guide, les aménagements intérieurs du XVIII° siècle témoignent également d’une magnificence que justifie le puissant rayonnement de l’abbaye. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Camon,
c’est aussi le village aux cent rosiers, depuis la brillante idée de
ses édiles de fournir gratuitement un rosier à chaque habitant ; le
village s’habille ainsi de couleurs et de senteurs dès le mois de mai...
malheureusement nous y étions en avril. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="color: #cc0000;"><b>LE CHÂTEAU DE LAGARDE</b></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Construit à partir du XIe siècle, le roi d’Aragon Ramire Ier de Navarre en fait d’abord en une tour de garde au nord de son royaume puis la famille Lévis seigneurs de l’Ile-de-France, vainqueurs de la croisade des Albigeois, édifie un château au XIVe siècle sur une colline dominant la vallée de l’Hers-Vif.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: inherit;">Il fut l’objet au cours des siècles de nombreux remaniements, dans un premier temps il est défensif (jusqu’au milieu du XVIe siècle) puis dans la première moitié du XVIIe siècle, Louise de Roquelaure, veuve d’Alexandre de Lévis-Mirepoix, mort à la guerre en 1637 à Leucate, entreprend une nouvelle série de constructions et d’embellissements qui devaient transformer le château fort en un petit palais fastueux. Grâce à la richesse de sa famille, son intelligence, sa détermination, son admiration pour les châteaux de la Loire, Louise en profite pour créer la galerie des Glaces, une glacière (petite tour ronde) et un étang à poissons. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Lagarde devient à la veille de la Révolution un splendide palais d’agrément ; sa grandeur lui fera obtenir le surnom de « Petit Versailles des Pyrénées ». Le château tombe peu à peu à l’abandon et fut en ruines à partir de la Révolution. <br /><br />La nouvelle propriétaire fait des travaux de débroussaillage de 1986 à 2000. En 2012, celle-ci donnera le château à l’association Per le Castel (« Pour le Château ») avec l’objectif d’animer le lieu. </span></span><br />
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<blockquote class="tr_bq">
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<span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>NOTRE-DAME DE VALS</b></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Avant de rentrer sur Colomiers un petit groupe a profité du voyage de retour pour visiter l’église Notre-Dame de Vals semi-rupestre à trois niveaux. Le site est magnifique et à l’intérieur nous avons pu admirer de superbes fresques romanes datées du début du XIIe siècle. </span></span><br />
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-71332507460921999632019-04-05T15:56:00.000+02:002019-05-04T17:03:00.238+02:00Rencontre avec Jean David Saban<div style="text-align: justify;">
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
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<![endif]--><span style="font-size: small;"><span style="font-family: inherit;">La soirée « Des livres et des Idées » du vendredi 5 avril 2019 a été dédiée à un artiste attaché à ses racines méridionales et même columérines. <br /><br />A à la fois peintre et graveur, Jean David SABAN dont nous avons découvert l’œuvre dans une mini exposition présentée au cours de la soirée, a puisé son inspiration au fil des régions qu’il affectionne, l’Occitanie bien sûr, avec des vues de Toulouse dont il sait reproduire couleurs et atmosphère, Gruissan, l’étang de Bages, les vignes du Languedoc mais aussi Venise, Barcelone, Paris, Marrakech… <br /><br />Dans toute son œuvre peinte, il a gardé la précision du dessin d’un graveur, marque de sa formation classique dans l’atelier de René Izaure à l’École des Beaux-Arts de Toulouse. <br /><br />La rencontre-Entretien intitulée « PEINDRE ET GRAVER LE PAYSAGE » a été animée par Claude BARRERE son ami avec lequel il partage la passion des « traits et morsures ».</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht0iPqr6KLdVx4tcPqkDRx5wy7r3NoAa76aMOyH6vE8ZdIHSLOB7obE5wUmU0eIt-j2s-GKA1y2_ooNMY4AQwq4Fry5w8n17iGpm-vFmEpTDHxKD6fiNeJUyn0fZ5IWA3Zq2x5p28U1Z9L/s1600/JD+SABAN.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht0iPqr6KLdVx4tcPqkDRx5wy7r3NoAa76aMOyH6vE8ZdIHSLOB7obE5wUmU0eIt-j2s-GKA1y2_ooNMY4AQwq4Fry5w8n17iGpm-vFmEpTDHxKD6fiNeJUyn0fZ5IWA3Zq2x5p28U1Z9L/s320/JD+SABAN.jpg" width="320" /></a></span></span></div>
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<span style="font-size: large;"><b><a href="http://www.jeandavid-saban.com/" target="_blank">Site de l'artiste</a></b></span></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Avril 2013 - Toulouse</span></span></i></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-86978745599103889992019-03-01T13:28:00.000+01:002019-03-20T23:03:43.455+01:00L’île de Pâques<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Notre amie Cathy, passionnée par l’île de Pâques, a eu la chance d’y effectuer un séjour l’an dernier pendant un voyage au Chili ; elle nous en a dévoilé le charme de ses magnifiques paysages, à défaut des mystères qui, même après avoir écouté son exposé bien documenté, resteront secrets. <br /><br />L’île de Pâques (ou Rapa Nui) est une île chilienne du Pacifique Sud. C’est l’un des endroits peuplés les plus isolés de la planète. L’île habitée la plus proche est Pitcairn (le refuge des mutins de la Bounty), à 2000 km vers l’ouest. Les côtes chiliennes, vers l’est, sont à plus de 3500 km. <br /><br />Son histoire reste toujours en grande partie une énigme. Il faut dire que le travail des archéologues est particulièrement difficile à cause du manque de témoignages ou de sources fiables. Est-on d’ailleurs tout à fait certains que les extra-terrestres n’ont rien à voir dans tout cela ! de nombreuses questions sont encore sans réponse ou âprement débattues dans la communauté scientifique. </span></span><br />
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<li><span style="font-size: small;"><span style="font-family: inherit;">Une certitude : l’explorateur hollandais Roggeveen « découvrit » l’île en 1722 le jour de Pâques et manquant d’imagination, il la baptisa îles de Pâque. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">Les Moai, statues colossales en pierre volcanique, emblèmes de l’île de Pâques, ont été sculptés dès l’arrivée des premiers habitants en 1200 et jusque vers 1650. Environ 1000 moai ont été recensés sur l’île de Pâques. (érigés sur des plateformes [ahu] en bord de mer, ou plus ou moins terminés dans la carrière de Rano Raraku). Où ont-elles été sculptées ? Comment a-t-on pu les transporter ? </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">L’écriture rongo-rongo reste à ce jour encore indéchiffrée. Un mystère de plus ! </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">Le culte du dieu Make Make, représenté comme un homme avec une tête de sterne, est également une énigme. La tradition rapporte que les compétiteurs descendaient la falaise jusqu’à la mer, puis nageaient jusqu’à l’îlot Motu Nui à 2 km, et se postaient auprès d’un nid de sterne. Le premier à recueillir un œuf fraîchement pondu devait le ramener pour être déclaré vainqueur. Le chef vainqueur devenait l’homme-oiseau. Il se retirait alors dans une grotte et endossait, pendant un an, le rôle d’arbitre sacré des conflits entre les clans. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">L’absence de forêts est particulièrement remarquable. Pourquoi sont-elles disparues. Suicide écologique d’une surexploitation ? </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">La civilisation Rapa Nui a été décimée par le « choc colonial », jusqu’à presque totale disparition à la fin du XIXe siècle ou il ne subsistait qu’une centaine d’habitants. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">La situation est fort heureusement en amélioration sur l’ile (environ 7000 habitants) et les Pascuans en voie d’acquérir une certaine autonomie. </span></span></li>
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<span style="font-size: small;"><span style="font-family: inherit;">Voici en guise de conclusion quelques lignes écrites par Pierre Loti âgé de vingt-deux ans, aspirant à bord de La Flore qui, sur la route de Valparaiso à Tahiti, fait une escale de quatre jours s à l’île de Pâques ; doué pour le dessin, il est autorisé à quitter le bord chaque jour pour faire des croquis et faciliter le troc entre les officiers et la population de l’île : </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;">« On éprouve des sentiments nouveaux et intraduisibles, en se promenant dans cette immense solitude, au milieu de cette population pétrifiée. Sous mes pieds s’étendent ces plaines jonchées d’idoles, que peu d’Européens sont venus voir avant nous… et là-bas, à l’horizon, se déroule le grand océan. </span></i></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;"></span></i></span></span><span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Nous sommes à mi-montagne, ici, au milieu des sourires de ces grands visages de pierre ; au-dessus de nos têtes, nous avons les rebords du cratère éteint, sous nos pieds la plaine déserte jonchée de statues et de ruines, et pour horizon les infinis d’une mer presque éternellement sans navires… »</span></i></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Une belle destination mêlant : mystères, traditions et paysages. Merci à Cathy de nous avoir fait partager ce beau voyage. </span></span></div>
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<span style="font-family: inherit; font-size: large;">Le diaporama de la conférence</span><br />
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<a href="https://drive.google.com/file/d/118wUld_Jsj8lzt4px4feiFokag4Zlbz7/view?usp=sharing" target="_blank"><img alt="https://drive.google.com/file/d/118wUld_Jsj8lzt4px4feiFokag4Zlbz7/view?usp=sharing" border="0" data-original-height="111" data-original-width="113" height="50" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzVe-Vh-7tnur1kpYCtNAZRjp7MkzBJ9q0Wlrp2czUar5DsGewsA4XGUcAxfCB6PNplxuVTCT03G5hMZGGz5eziMC-pNcs_IZX-WQ-2mCaDn4koS_2wPNnsGxrbea71DH3f3bCPZuvvKib/s200/PDF+%25C3%25A0+charger.png" width="50" /></a></div>
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<span style="font-size: large;"><span style="font-family: inherit;"> </span><span style="font-family: inherit;">Au Muséum de Toulouse </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">A découvrir jusqu'au 30 juin 2019</span></span></div>
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<b><span style="font-size: small;"><span style="font-family: inherit;"><i>L'Île de Pâques, Nombril du monde</i></span></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyqZrvUrhcapV2S2wOwubSk2kwwFjUZqBdaHh4gtJMXZGW5xv7UV2I7IqcKGB-Ya2HL2_H-PJDICEfqlg4mPOIYNJQTvX0s6-u3ookCIqYebyTDi-9Nv9i89cgmvxWAaWT06hBGcDsa8HU/s1600/Presse-papier01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyqZrvUrhcapV2S2wOwubSk2kwwFjUZqBdaHh4gtJMXZGW5xv7UV2I7IqcKGB-Ya2HL2_H-PJDICEfqlg4mPOIYNJQTvX0s6-u3ookCIqYebyTDi-9Nv9i89cgmvxWAaWT06hBGcDsa8HU/s1600/Presse-papier01.jpg" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.museum.toulouse.fr/" target="_blank">Le site du Muséum</a></span></span></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-59987358812743451472019-02-22T09:13:00.000+01:002021-01-31T18:27:25.493+01:00“50 poèmes pour la neige”<div style="text-align: center;">
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<i><span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>4ème édition du festival – 22 février 2019</b></span></span></i></blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;">Le festival <b>« 50 poèmes pour la neige »</b>
a cette année encore atteint ses objectifs de partage poétique et de
convivialité, et c’est grâce à vous tous, intervenants et public.</span></span><span style="font-size: small;"><span style="font-family: inherit;"><br />Je
garde pour ma part le souvenir de vos participations actives à cette
soirée dans ce cadre agréable, et maintenant familier, cette belle salle
Antonin Perbosc de l’<b>Ostal d’Occitanie</b>. </span></span></div>
<div style="text-align: justify;">
<br />
<span style="font-size: small;"><span style="font-family: inherit;">Merci à : </span></span><br />
<br />
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Modesta Suarez</b> pour l’évocation de <b>Nicanor Parra</b>.
Inconnu pour la plupart d’entre nous il y a quelques mois, le grand
poète chilien nous apparait maintenant plus proche avec sa poésie
ricanante et le pied de nez qu’il a fait de sa vie. Au-delà de la
présentation intelligente, sensible et humoristique qui a fait
l’unanimité des participants, nous avons fait la connaissance d’une amie
que nous aurons tous plaisir à retrouver dans de futures soirées
poétiques. </span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Claude Barrère</b>, qui,
chaque année, fait l’effort de recherche d’un poète qui saura nous
émouvoir et des textes les plus adaptés pour nous les faire partager.
Nous avons ainsi pu découvrir et apprécier <b>Stanislas Rodanski</b>, poète et
romancier surréaliste, qui décrivait une neige un peu noire comme la
nuit qui a fini par l’engloutir. </span></span></li>
</ul>
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</td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Catherine Lebel</b> et sa
lecture en français de la poésie « L’homme imaginaire », lue également
par Nicanor Parra lui-même dans un amphi rempli de centaines de jeunes
chiliens avec des applaudissements dignes d’une vedette du rock.</span></span></span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Yves Drouin</b>,
président des belles éditions toulousaines N&B, qui nous a fait
partager son coup de cœur pour <b>François Jacqmin</b>, poète belge d’expression
française qui a su si bien décrire le jardin endormi sous la neige. </span></span></span></span></li>
</ul>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDkeLVP-XmebyZab6kyZncSzf7xcc52irmHX2_Ez_iQ8Ffdrsixb-z2uOA5UhAKCEPJey2mfbwoM5HaP3h3ytPB2nH_i4ob6wPB5TA0g7cZJZEfnGMRZOEVKnZrlSo4dyfHcFJo7V0xhUE/s1600/P1060440.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1408" data-original-width="1600" height="175" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDkeLVP-XmebyZab6kyZncSzf7xcc52irmHX2_Ez_iQ8Ffdrsixb-z2uOA5UhAKCEPJey2mfbwoM5HaP3h3ytPB2nH_i4ob6wPB5TA0g7cZJZEfnGMRZOEVKnZrlSo4dyfHcFJo7V0xhUE/s200/P1060440.JPG" width="200" /></a></b></span></span></td><td><br /></td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Louis Simon</b>,
venu du Lot pour nous lire des Haïkus, souffles éphémères et intenses,
extraits de son recueil de poésie « Bateaux de papier » paru aux éditions N&B en
décembre 2018.</span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Francis Pornon</b> qui a
écrit tout spécialement pour cette soirée une « Ballade pour les neiges »
renouant ainsi avec la tradition des troubairitz sachant chanter et du «
fin Amor ». Avec les 25°C sur Toulouse en février, on ne peut qu’être
d’accord avec cette constatation : « Mais où sont les neiges d’antan ? » …
Merci aussi Francis pour nous avoir ouvert les ondes de l’émission
culturelle hebdomadaire sur <b>Radio mon Païs</b>.</span></span></li>
</ul>
<br /></td><td><br /></td><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlzaMAQ1JcoFMQvTxQX96EjXfyBPU804X34QzfjK79KwqjGJqbA50QawJI7pM_CuRqplmsPq6IW8vMdOUlN3CvKc5s4KJtg0AwKn3XE6V1y0lWZGSTO-VE4Cs4YRJn-LrITBvzIEnx1Lch/s1600/P1060443.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1380" data-original-width="1600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlzaMAQ1JcoFMQvTxQX96EjXfyBPU804X34QzfjK79KwqjGJqbA50QawJI7pM_CuRqplmsPq6IW8vMdOUlN3CvKc5s4KJtg0AwKn3XE6V1y0lWZGSTO-VE4Cs4YRJn-LrITBvzIEnx1Lch/s200/P1060443.JPG" width="200" /></a><span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></td></tr>
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</td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Michel Tartayre</b>,
sensible aux « Faces Nord », parois minérales et cimes enneigées,
passion qu’il nous dit avoir reçue du grimpeur de l’extrême Patrick
Edlinger et qu’il nous a fait partager ce soir-là.</span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>André Bordes</b>, pour qui
la poésie n’existe avant tout que pour être lue, et qui a fait
apparaitre des paysages d’hiver évoquant pour moi ce tableau de Monet «
La Pie » et des sensations de flocons piquant la peau sous la pression
du vent d’hiver, même si ces vers ont été écrits en été…</span></span></li>
</ul>
</td><td><br /></td><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE8C16XhtZzDMsBL4k13cNcYOgwHPFFSsPb-rApha5fXKUZmivoWTHG0iiHFty3D1Bfjg5yK9RZOgAYz5oIbLalviBbNqk7isIOxpagqU5sX0NyXu85dVgGqrYhG5DSdBXcKeCcpar8Hi0/s1600/P1060458.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1530" data-original-width="1600" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE8C16XhtZzDMsBL4k13cNcYOgwHPFFSsPb-rApha5fXKUZmivoWTHG0iiHFty3D1Bfjg5yK9RZOgAYz5oIbLalviBbNqk7isIOxpagqU5sX0NyXu85dVgGqrYhG5DSdBXcKeCcpar8Hi0/s200/P1060458.JPG" width="200" /></a></td></tr>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiN2vTF9qYr905yDWMd5SDjJWBY_ptnhurSc6frsSnRMOJ0LeB1oeq4ZDsM8pZSq4qqF8QRgkln1U0kn5k5y6PVjluMkFq_Ua1yjSMO_2tcsSpll3uaVveCwfv1WJjtvPTy-EJSMgGk3NJ/s1600/P1060455.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1359" data-original-width="1600" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiN2vTF9qYr905yDWMd5SDjJWBY_ptnhurSc6frsSnRMOJ0LeB1oeq4ZDsM8pZSq4qqF8QRgkln1U0kn5k5y6PVjluMkFq_Ua1yjSMO_2tcsSpll3uaVveCwfv1WJjtvPTy-EJSMgGk3NJ/s200/P1060455.JPG" width="200" /></a></b></span></span></td><td><div class="separator" style="clear: both; text-align: center;">
<br /></div>
</td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Nicole Couzinié</b>, pour
son choix de Haïkus évoquant des émotions directes ou plus subtiles et
sa recherche d’une neige qui naitrait des lueurs de l’ultra noir de
Pierre Soulages qu’elle nous a promis d’évoquer l’an prochain.</span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Myriam Raquin</b> pour son texte « Soirées de neige », écrit pour partager avec nous tous, cette belle idée d’une neige
poétique imposant fraicheur, paix, pureté et tendresse… </span></span></li>
</ul>
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</td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Marie-France Poinard
</b> pour ces pages du poète roumain <b>Benjamin Fondane</b> qui vécut à Paris et
fut assassiné à Auschwitz. Des vers d’où ressortent un automne et un
hiver qui n’auront hélas, jamais de printemps.</span></span></li>
</ul>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Svante Svahnström</b>, qui
a donné à notre festival de poésie un accent du nord et conforté l’idée
d’une Europe de la poésie que nous recherchons modestement à créer.
Merci également pour nous avoir redonné le goût de <b>Tomas Tranströmer</b>,
poète suédois déjà célébré par notre festival en 2015 et fait découvrir « Le lutin » de <b>Viktor Rydberg</b>.</span></span></li>
</ul>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3KtjIXzQIDkUn3qkdIn5JdJd1fgHvbVxd6Ue0wpgv536lcqSHhenI7E_ObOkvAkpQTzTiBKEuqDnGPEtS-TUtWpp09D5yyDaWgIYPuaoZz6O8D2apOy27b-p6p-7m-az0qEqtePR7HHJ/s1600/P1060469.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1214" data-original-width="1600" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3KtjIXzQIDkUn3qkdIn5JdJd1fgHvbVxd6Ue0wpgv536lcqSHhenI7E_ObOkvAkpQTzTiBKEuqDnGPEtS-TUtWpp09D5yyDaWgIYPuaoZz6O8D2apOy27b-p6p-7m-az0qEqtePR7HHJ/s200/P1060469.JPG" width="200" /></a></b></span></span></td><td><div class="separator" style="clear: both; text-align: center;">
<br /></div>
</td><td style="text-align: justify;"><ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Dominique Duverneuil</b>,
président de l’association « Des Livres et des Idées » qui a terminé
cette belle soirée en chansons avec cette mythique « Fille du Nord » et une
chanson en occitan qui a résonné tout particulièrement dans l’Ostal
d’Occitanie.</span></span></li>
</ul>
</td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: inherit;">Un merci particulier également à : </span></span><br />
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"> <b>Joëlle Montec<span style="font-family: inherit;">h</span></b></span></span><span style="font-size: small;"><span style="font-family: inherit;"> (qui avait participé au festival en février 2017) </span></span><span style="font-size: small;"><span style="font-family: inherit;">venue tout spécialement avec le comédien <b>Jean Do</b> pour nous faire partager un texte magnifique de <b>Yannis Rítsos</b> « La neige », qu’elle n’a malheureusement pas pu lire, le voici :</span></span></li>
</ul>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Z_BSTO6g-57FBTAIzg2mPN7popVGk0aJt8phZUuiiFsiSk77Jlq4Sb-zhTcdfGnKEURGR28ipSVU8BvvIqiSRB03eOmVSmBC0Pl9CvyfkRFzAtsxAFPpu1lBuuDOPJVQatMhK74qxtoH/s1600/Yannis+RITSOS+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1272" data-original-width="1600" height="254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Z_BSTO6g-57FBTAIzg2mPN7popVGk0aJt8phZUuiiFsiSk77Jlq4Sb-zhTcdfGnKEURGR28ipSVU8BvvIqiSRB03eOmVSmBC0Pl9CvyfkRFzAtsxAFPpu1lBuuDOPJVQatMhK74qxtoH/s320/Yannis+RITSOS+%25282%2529.jpg" width="320" /></a> </span></span></div>
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Maryse Zemlianoy</b>,
qui a choisi et mis en forme les poèmes « surprises » distribués en
souvenir de cette soirée pour vous inciter à une lecture poétique, <span style="font-size: small;"><span style="font-family: inherit;"><b> </b></span></span></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Rose-Marie Van Vlasselaer</b>
pour sa gentillesse, sa patience et l’immense travail de préparation et
de mise en forme de tous les documents supports de cette soirée</span></span><span style="font-size: small;"><span style="font-family: inherit;">, </span></span></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Christian Saint Paul </b>qui nous a ouvert les ondes de son émission hebdomadaire <b>Les poètes</b>, que je vous encourage à suivre hebdomadairement sur <b>Radio Occitania</b>, </span></span></li>
</ul>
<center>
<span style="font-size: small;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Jeudi 14 février 2019</span></span></i></span>
</center>
<center>
<i><span style="font-size: medium;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://lespoetes.site/emmission/emmission.html" target="_blank">Ecouter l'émission</a></span></span></i></center>
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><b>Convergencia Occitania</b> qui a mis à notre disposition la salle et les moyens vidéo, </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">et enfin merci au restaurant <b>A Taula</b> qui a apporté la touche de convivialité indispensable pour faire de cette soirée une réussite appréciée par tous. </span></span></li>
</ul>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;">A</span></span><span style="font-size: small;"><span style="font-family: inherit;"> l’année prochaine pour la 5ème édition du </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Festival « 50 poèmes pour la neige » à Toulouse</b>.<b><br /></b></span></span></div>
<br />
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"> Patrick Zemlianoy</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><br />
<center>
<table><tbody>
<tr><td style="text-align: center;"><div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #cc0000;"><span style="font-size: large;"><span style="font-size: large;"><i>Diaporama </i></span></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #cc0000;"><span style="font-size: large;"><span style="font-size: large;"><i>Nicanor PARRA</i></span></span></span></span></div>
<div class="separator" style="clear: both;">
<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://drive.google.com/file/d/1g_9nQ5rRrNrsOuzeI0_mh9zpPxAxvxxD/view?usp=sharing" target="_blank"><img alt="https://drive.google.com/file/d/1g_9nQ5rRrNrsOuzeI0_mh9zpPxAxvxxD/view?usp=sharing" border="0" data-original-height="111" data-original-width="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzVe-Vh-7tnur1kpYCtNAZRjp7MkzBJ9q0Wlrp2czUar5DsGewsA4XGUcAxfCB6PNplxuVTCT03G5hMZGGz5eziMC-pNcs_IZX-WQ-2mCaDn4koS_2wPNnsGxrbea71DH3f3bCPZuvvKib/s1600/PDF+%25C3%25A0+charger.png" /></a></span></div>
</td><td style="text-align: center;"><div class="separator" style="clear: both;">
<span style="font-family: "georgia" , "times new roman" , serif;"> </span></div>
</td><td style="text-align: center;"><div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="color: #cc0000;"><span style="font-size: large;"><i>Poèmes </i></span></span></span></span></div>
<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="color: #cc0000;"><span style="font-size: large;"><i>pour la neige</i></span></span></span></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><i><a href="https://drive.google.com/file/d/1NcJrg3KZVcbQtbY5XlZV7Q4lqkdkCVki/view?usp=sharing" style="font-size: x-large;" target="_blank"><img alt=" https://drive.google.com/file/d/1Ns-z6vmZyaGTxI7fn7Zr4dNTJtbjV8sq/view?usp=sharing" border="0" data-original-height="111" data-original-width="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzVe-Vh-7tnur1kpYCtNAZRjp7MkzBJ9q0Wlrp2czUar5DsGewsA4XGUcAxfCB6PNplxuVTCT03G5hMZGGz5eziMC-pNcs_IZX-WQ-2mCaDn4koS_2wPNnsGxrbea71DH3f3bCPZuvvKib/s1600/PDF+%25C3%25A0+charger.png" /></a></i></span></span><br />
<table style="margin-left: auto; margin-right: auto; text-align: left;"><tbody></tbody></table>
</td></tr>
</tbody></table>
</center>
</div>
</div>
</div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="color: #cc0000;"><span style="font-size: large;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Vidéos</span></i></span></span></span></span></div>
<div style="text-align: center;">
<br />
<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.youtube.com/watch?v=xHm-eFZYGiA" target="_blank">La cueca de los poetas – Violeta Parra</a></span></span></div>
<div style="text-align: center;">
<br />
<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.youtube.com/watch?v=6ttZeRADF5Y" target="_blank">El hombre imaginario – Nicanor Parra</a></span></span></div>
<div style="text-align: center;">
<br />
<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.youtube.com/watch?v=Ie_ey-s8Qzo" target="_blank">Cueca "Homenaje a Nicanor Parra" 2014</a></span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: inherit;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxhWNPQoOS1b66w_Jr3pD3qZq3e2sMoNYSuKmAcfVz_qhrXOkfIDa7IXBmb3nZWxWDaW9i0Che90S8TaG9QaQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Modesta Suarez - "Avertissement au lecteur"</span><br />
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwuEV6T2mFx1OM5YOajDyyZuI2b12vo9Sd2Emx86rjcmEiNseS_Np2CetBK-bZ-tCGNdznNG5pYJkJLva4Vkg' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
Modesta Suarez - "Test" (en espagnol)</div>
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<br /></div>
<center>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dz7JYFRfw0UnAj1MtbHc9JDa6hirNMuWQNwUAF3BkE-x4q1xFw8zOK35YTPtZMCC8n6QL9PmTq59piUCr7wXw' class='b-hbp-video b-uploaded' frameborder='0'></iframe> </div>
Claude Barrère - "Test" (en français)</center>
<center>
<br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzRjiHfDbPKG--HpTXm8wEF87b2HBM4ADMy_dSqKXZ9x55rGjHb21SLg6b-NhfSxp3wgB_qJsuKVOGW7m-pQA' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /> Cathy Lebel - "L'homme imaginaire"</center>
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</center>
<center>
</center>
<center>
</center>
<center>
</center>
<center>
</center>
<center>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzQawmTcdhpUFVGO-ttnsQVQavgnz0hmaZTqQsm_LeHvzkwQNMl4M5e6TZetdle966QTB_iRHDPe9JifLOT' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
Dominique Duverneuil - Chanson occitane</center>
<center>
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</center>
<div style="text-align: center;">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
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</xml><![endif]--><span style="font-size: small;"><span style="font-family: inherit;">Lors de notre soirée de février, nous avons découvert grâce à Claudine un métier qu’elle a exercé pendant des années et dont nous ne soupçonnions pas la diversité. </span></span><br />
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><br />Les tâches à effectuer dans le métier d’écrivain public sont nombreuses. En effet, ce professionnel est chargé de rédiger ou de corriger tous types de documents. Il effectue, entre autres, des travaux de rédaction de papiers administratifs ou professionnels : courrier de réclamation, courrier juridique, formulaire administratif, Curriculum Vitae, lettre de motivation, dossiers d’allocations familiales, et autres... Il intervient également dans la rédaction de divers écrits personnels : rédaction de mémoires, travaux littéraires, comptes-rendus, faire-part, contenus web, mailings, etc. </span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span><span style="font-size: small;"><span style="font-family: inherit;">Son exposé a été, pour notre plaisir, émaillé de nombreuses anecdotes puisées dans son expérience. </span></span><span style="font-size: small;"><span style="font-family: inherit;">Sans vouloir tout restituer, je retiendrai pour ma part : </span></span></div>
<ul>
<li style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Le texte écrit à la veille d’un enterrement pour aider un fils à rédiger ces quelques lignes, synthèse de toute une vie, et qui ont tant d’importance dans ces douloureux moments. </span></span></li>
<li style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Les travaux de rédaction de livres sur des sujets très variés et qui n’auraient pas pu être rédigés sans le recours à sa plume. </span></span></li>
</ul>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Merci à Claudine de nous avoir fait partager cette belle expérience pour ce métier de service trop peu connu.</span></span></div>
deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-12747504758630177322019-01-19T11:40:00.000+01:002019-02-02T15:12:14.540+01:00La Nuit de la Lecture à Colomiers<center>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIuDdtSzfj8TJ8rRTrAXt5Aonh1sq1elVPUOQS4AuzuWr6ssPz-FNg5RvkvfEaurJWATPL3Ec6KeK_D8s-D1yM3mq0X7EbeJY3v6m8eJ8y9-8Q3C2tRNY9-sXseu6D0C0v2M039lgrQubd/s1600/nuit+de+la+lecture.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="960" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIuDdtSzfj8TJ8rRTrAXt5Aonh1sq1elVPUOQS4AuzuWr6ssPz-FNg5RvkvfEaurJWATPL3Ec6KeK_D8s-D1yM3mq0X7EbeJY3v6m8eJ8y9-8Q3C2tRNY9-sXseu6D0C0v2M039lgrQubd/s320/nuit+de+la+lecture.jpg" width="320" /></a></div>
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<span style="font-size: small;">Le samedi 19 janvier, dans le cadre du <b>Pavillon Blanc de Colomiers</b> c’était la <b>Nuit de la Lecture</b>, une soirée exceptionnelle, conviviale, ludique, avec des plages sonores, un océan de livres, des paysages numériques. En chiffres, cet événement a mobilisé 90 personnes pour accueillir le public (musiciens, agents du Pavillon, bénévoles, artistes…) et 702 personnes ont circulé dans la médiathèque entre 17h et 21h30.<br /><br />A la nuit tombée, les associations « <b>Des Livres et des Idées</b> » et les <b>éditions N&B</b> ont participé à l’animation de la soirée et se sont transformés en personnel de cabine pour <b>l’embarquement immédiat d’un voyage nocturne autour du monde hors des sentiers battus. </b><br /><br />Ces pérégrinations littéraires nous ont permis successivement de traverser le bassin méditerranéen (<b>Liban</b>, <b>Grèce </b>et <b>Algérie</b>) puis de suivre les traces des grands explorateurs : le <b>Sénégal</b>, puis le <b>Japon</b>, la <b>Mongolie </b>et la <b>Russie </b>; d’un coup d’aile nous avons survolé l’Amérique du Sud (le <b>Chili</b> puis la <b>Colombie</b>), puis, pour terminer, les <b>Etats Unis</b> avec une évocation de la « Beat Génération » et pour conclure, un texte tiré de l’œuvre du prix Nobel de littérature 2016 : Bob Dylan.<br /><br /><span style="font-family: "georgia" , "times new roman" , serif;">Jean-Claude, Christine, André, Emma, Jean-Yves, Patrick, Marie-France, Cathy et Dominique se sont succédé pour entraîner nos auditeurs dans ce périple au long cours avec des textes extraits de : </span></span><br />
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<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>Les mots étaient des loups</i> de Venus Khoury Ghata, <i>Grecques </i>d'Antigone Trogadis, <i>Knossos</i> et <i>Lindos </i>deux poèmes d’André Bordes, <i>Boulevard des Orangers </i>de Mireille Piris, <i>Souffles</i> de Birago Diop, <i>Le Samouraï de l’époque Edo</i> de Marlène Sainte Marie Perrin, <i>Bateaux de papiers </i>de Jean-Louis Simon, <i>Docteur Jivago</i> de Boris Pasternak,<i> L’églantier fleurit</i> d'Anna Akhmatova,<i>La fin du chant </i>de Galsan Tschinag, <i>Canto General</i> de Pablo Neruda, <i>Cent ans de solitude </i>de Gabriel Garcia Marquez, <i>Poèmes et Antipoèmes</i> de Nicanor Parra, <i>Sur la Route</i> de Jack Kerouac, <i>Arbres d’hiver </i>de Sylvia Plath et <i>Girl from the North Country </i>chanson de Bob Dylan.</span></span></div>
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<a href="https://www.blogger.com/goog_1254132589"><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span></a><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://drive.google.com/file/d/1FFi3s3XtN5UvYVqYy8iVJzt4UNxATsJ4/view?usp=sharing" style="margin-left: 1em; margin-right: 1em;" target="_blank">Diaporama</a></span></span></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-8570497249125481602019-01-11T13:54:00.000+01:002019-02-03T13:59:17.463+01:00San-Antonio aux « Livres et aux Idées » :<div style="text-align: center;">
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<b><span style="color: #cc0000;"><span style="font-size: large;"><span style="font-family: inherit;">Du Rififi chez les intellos... </span></span></span></b></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La soirée a été animée par Jean-Luc Brunel avec l’aide de quelques amis qui partagent avec lui cette passion pour le célèbre commissaire, pour ses contrepèteries et ses calembours.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Notre voyage au pays de son abondante bibliographie (300 romans, dont 175 aventures de San Antonio, 220 millions de livres vendus) s’est poursuivi par un quiz sur les titres improbables de ses œuvres : </span></span></div>
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<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Céréales killer </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Ne soldez pas grand-mère, elle brosse encore </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Ceci est bien une pipe </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Le pétomane ne répond plus </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">La Matrone des sleepinges </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">En avant la moujik </span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Bosphore et fais reluire</span></span></i></li>
<li><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">...</span></span></i></li>
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<span style="font-size: small;"><span style="font-family: inherit;">La biographie de <span style="font-size: large;">Frédéric Dard</span> (ses origines modestes, son infirmité, ses rencontres improbables et sa soif de reconnaissance…) déroulée avec talent nous a donné du personnage un éclairage différent : celui d’un écrivain qui rêvait de prix littéraires et que le succès populaire a enfermé dans une carrière qui ne l’a jamais pleinement satisfait. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">A</span>u cours de la soirée, nous avons aussi découvert un véritable culte pour son œuvre que l’association <span style="font-size: large;">« Les Amis de San Antonio » </span>continue
à entretenir “pieusement” en rendant hommage à cet univers peuplé de 8
500 personnages imaginaires : des dictionnaires, des thèses
universitaires, des objets et livres rares et même un hymne, celui de la
« <i>Marche des matelassiers</i> » que Bourvil en son temps avait interprété.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.amisdesana.org/" target="_blank"><span style="font-size: small;"><span style="font-family: inherit;">www.amisdesana.org</span></span></a></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b><span style="font-size: small;">La marche des matelassiers</span></b></i></span></div>
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<span style="font-size: small;"> <span style="font-family: inherit;"><b>Quelques conseils de lecture pour aborder </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>ce monde un peu hermétique pour les non-initiés : </b></span></span></div>
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<li><span style="font-size: small;"> </span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><i>Règlez-lui son compte</i></b> :</span> Pour les amateurs de San-Antonio, ce livre constitue un événement. En effet, il s’agit du premier roman. </span></span></li>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><i>La crève</i></b> :</span> Ecrit juste après la Libération, La Crève est un huis clos à quatre voix, portrait rageur et fulgurant d’une famille qui règle ses comptes dans la chambre sordide où ses membres se cachent des maquisards </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "georgia" , "times new roman" , serif;"><i><b>La vieille qui marchait dans la mer</b> </i>:</span> Lady M. est une vieille dame de plus de quatre-vingts ans un peu indigne qui mène une vie d’escroc de haut vol avec un jeune plagiste et un ancien diplomate roumain. </span><span style="font-family: inherit;">Publié sous son vrai nom, il ne fait pas partie de la série des San-Antonio. Le roman a été adapté au cinéma avec Jeanne Moreau dans le rôle principal.</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"></span></span></span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><i>Le maitre de plaisir</i></b> :</span> Entre les palaces suisses et le Beyrouth voluptueux des années 50, un comédien fini devient l’amant d’une vieille milliardaire libanaise sous le regard en apparence complaisant du mari. D’une liaison aussi dangereuse qu’obscène, on peut attendre le pire. </span></span></li>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-50851543925075398202018-12-07T13:48:00.000+01:002019-01-15T15:33:06.279+01:00La Mongolie<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: inherit;">La Mongolie, enclavée entre la Russie au nord et la Chine au sud, est un pays fascinant dont Marie-France a su nous détailler l’histoire, la géographie et la vie quotidienne.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Il serait difficile de rappeler dans ce compte rendu synthétique la diversité du propos de Marie-France : </span></span><br />
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<li><span style="font-size: small;"><span style="font-family: inherit;">L’histoire de ce peuple de Mongols, fiers héritiers de Gengis Khan et de son empire le plus grand que le monde ait connu, allant de la Corée du Nord jusqu'en Hongrie – empire achevé par son petit-fils (Kubilaï Kahn) avec la conquête de la Chine. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">La description parfaitement documentée de la géographie du 7ème plus grand pays d'Asie, peuplé de 3 100 000 habitants, dont la moitié est nomade. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">Sites et musées, et tout particulièrement le site de Karakorum avec sa fontaine d’argent d’où coulait le vin et le lait ainsi que le monastère bouddhiste d’Erdene Zuu. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">La vie quotidienne pleine de surprises et si éloignée de celle de la banlieue ouest de Toulouse. : yourtes, nomades et leurs troupeaux, nourriture... </span></span></li>
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<span style="font-size: small;"><span style="font-family: inherit;">Cette « échappée belle », dernière soirée de l’année, s’est magnifiquement conclue avec un pot largement amélioré par les talents de nos adhérentes et adhérents.</span></span></div>
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<span style="font-size: x-small;">Photos : Marie-France Poinard</span></div>
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<span style="font-size: x-small;">Carte : <a href="https://www.routard.com/guide_carte/code_dest/mongolie.htm" target="_blank">Guide du Routard</a></span></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-49215385284619391182018-11-09T13:23:00.000+01:002018-11-29T14:14:23.524+01:00Présentation de la saison<div style="text-align: justify;">
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><b><span style="color: #444444; font-size: medium;"> Notre fil rouge</span></b></span></span></span></div>
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<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;">Javier Cercas</span>, auteur espagnol de romans et de recueils de chroniques (en particulier son roman « Les Soldats de Salamine » publié chez Actes Sud en 2002 a fait l’objet d’un film sorti en 2005).</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;">Delphine de Vigan</span>, romancière et réalisatrice française, auteur de nombreux romans dont certains ont été couronnés par des prix littéraires.</span></span></li>
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://deslivresetdesideesblog.blogspot.com/p/fil-rouge-2018-2019.html" target="_blank"><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><i>Listes des livres</i></span></a></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="color: #3d85c6;">◆◆◆◆◆◆◆</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="color: #444444; font-size: medium;"><b><span style="font-size: small;"><span style="font-family: inherit;"></span></span>Notre agenda</b></span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Le programme de nos soirées et sorties futures a été précisé. Il est mis à jour au fur et à mesure des confirmations dans l'onglet "<b>Agenda</b>".</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="color: #3d85c6;"></span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="color: #444444; font-family: inherit; font-size: medium;"><b><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><b><span style="color: #444444; font-size: medium;"> </span></b></span></span></span>Nos lectures coups de cœur de l’été</b></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Dominique nous a fait part du roman de <b>David Diop</b> « Frère d’âme » qui raconte une page de notre Histoire : celle des tirailleurs sénégalais engagés dans la Grande Guerre.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Danielle (et Maryse) ont été touchées par l’histoire d’une bibliothèque secrète en Syrie « Les passeurs de livres de Daraya » de <b>Delphine Minoui</b> : sous les bombardements et les attaques au gaz chimique de jeunes Syriens exhument des milliers d’ouvrages ensevelis sous les ruines pour les rassembler dans une bibliothèque clandestine.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Marie-France nous a parlé de « l’Atlas de l’homme inquiet » de <b>Christoph Ransmayr</b> : De l’Arctique aux Tropiques, le grand écrivain autrichien propose soixante-dix escales qui sont autant de petits tableaux du monde tel qu’il l’a perçu au fil de ses pérégrinations.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Nicole a présenté "L’Homme Coquillage" d’<b>Asli Erdogan</b> qui aborde le thème de la violence – notamment envers les femmes.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><br /></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Michel nous a transportés sur les traces de <b>Fred Rebell</b> avec « Seul sur les flots », l'histoire vraie d’un migrant à traverser l'océan Pacifique sur une embarcation de fortune.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Claude a terminé ce tour de table par la lecture de quelques poèmes de <b>Vénus Khoury-Ghata</b> d’origine libanaise, romancière, traductrice, mais avant tout poète : </span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>« Les mots étaient des loups… Ils disposaient leur colère à ses pieds quand elle tournait / le livre noir de la nuit… »</i></span></span></span></blockquote>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-23754992055540885292018-03-02T11:43:00.000+01:002018-03-24T14:37:33.396+01:00Rencontre littéraire<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Notre ami et poète Claude nous a proposé une rencontre très intéressante autour de deux auteurs pour échanger avec eux sur leur travail d'écrivain et le choix de leurs personnages.</span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">Rencontre avec Jean-Luc DOUSSET</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Jean-Luc Dousset est auteur de biographies historiques. Nous avons découvert des personnages insolites, décalés mais attachants, tombés injustement dans l’oubli.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Son premier livre raconte la biographie de « <b>Philibert
Besson, le fou qui avait raison</b> ». Député français de la Haute-Loire sous la
IIIe République et atypique, Philibert Besson avait fait de sa vie un combat
contre les monopoles, les Puissants, les compagnies d’électricité, les « Vautours » !
Ses combats sont toujours d’actualité...</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Le second ouvrage « <b>Giampietro Campana, la
malédiction de l’anticomane</b> », retrace l’existence de ce personnage hors du
commun, un Italien, l’un des plus grands collectionneurs de pièces
archéologiques. Né à Rome en 1808, cet aristocrate italien, devenu directeur du Mont-de-Piété de sa ville natale en 1833, a constitué en moins de trente ans la
plus importante collection d’antiquités et d’œuvres d’art jamais réalisée !</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Son troisième livre : « <b>Ferdinand le débile</b> » est
la biographie de l’empereur d’Autriche et roi de Hongrie Ferdinand ayant régné
entre 1835 et 1848, date à laquelle il abdiqua en faveur de son neveu
François-Joseph, l’époux de Sissi.</span></span></div>
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</span></span><span style="font-size: small;"><span style="font-family: inherit;">Vienne, 1793, le palais de la Hofburg, la naissance
de l’héritier de l’empire austro-hongrois. Mais Ferdinand a de l’eau dans la
tête, il est rachitique, il souffre d’épilepsie, il est un peu attardé... La
consanguinité l’a accablé de tant de tares ! </span></span></td> </tr>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Survivra-t-il suffisamment de
temps pour accéder au trône de la famille des Habsbourg-Lorraine. Monter ou
descendre un escalier, se servir d’une carafe, signer de son nom... </span></span>Autant d’épreuves !
Son père Sa Majesté François hésite. Lui succédera-t-il ? Un temps il lui
préfère son fils cadet François-Charles. Un temps, il s’en tient au principe de
légitimité, ce sera son fils ainé Ferdinand... Le Prince de Metternich veut sa
marionnette ! Avec Ferdinand, il la tient... Il le forme, le modèle, le marie à
la princesse Marie-Anne de Savoie. Nuit de noces mouvementée ! Ferdinand s’intéresse
peu aux choses de la politique et à l’art militaire. Ses seules passions :
la botanique, le jardinage, les sciences... On le prend pour un débile ! Le
peuple l’aime. Il le surnomme Ferdinand le Bon. La période est troublée. Le
puzzle de l’empire austro-hongrois menace de se disloquer. La sœur de son
frère, l’archiduchesse Sophie avide de pouvoir manœuvre pour que la couronne
des Habsbourg revienne à son fils François-Joseph qui va épouser celle qui va
devenir l’impératrice Sissi ! On prépare son abdication... </span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Son dernier livre « <b>Commandeur Cazenave, Le
Magicien était un aventurier</b> » raconte la vie mouvementée de Marius Cazeneuve, né à Toulouse, en 1839, non loin
de la Garonne, au 20 rue des Blanchers. Marius quitte l’école assez jeune et fait la
connaissance de Bartolomeo Bosco, le maître turinois de l’illusion. Auprès de
lui, il effectue son apprentissage et se révèle particulièrement doué ! </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Il s’exerce à Toulouse, puis il se produit à Vichy, station thermale en vogue, devant l'empereur Napoléon III ; il séduit toutes les cours d’Europe, le tsar de Russie…</span></span><span style="font-family: "georgia" , "times new roman" , serif;"><i><span style="font-size: small;"> </span></i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><span style="font-size: small;">Décapité ! Il brandit sa tête à bout de bras devant
des spectateurs apeurés. Il se fait tirer dessus ! Il arrête de ses doigts
et de ses dents les balles qui lui sont destinées.</span></i></span></blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;">Il est décoré de l’ordre de Nichan Iftikhar par le
bey de Tunis. Désormais, aux yeux de tous, il est le Commandeur.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Marius Cazeneuve est aussi un scientifique, un astronome, inventeur du lunomètre, de l’astronographe... En 1874, il fonde l’Institut du Progrès pour lutter contre toute forme de charlatanisme et de superstition ! Il réussit même le tour de force de rallier à sa cause Victor Hugo qui s’est laissé pourtant tenter par les sciences occultes.</span></span></blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;">En 1886, il est envoyé en mission renforcer la
présence française sur l’île de Madagascar face aux Britanniques. Sa mission
est un succès politique, économique... Médecin, confident, ami, il tombe sous
le charme de la reine Ranavalona III, mariée à un Premier ministre bien
plus âgé, autoritaire. Sont-ils devenus amants ? Certains disent qu’il aurait
pu devenir roi de Madagascar !</span></span> </div>
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<span style="font-size: large;"><span style="font-family: inherit;"><a href="https://www.facebook.com/jeanluc.dousset.921" target="_blank"><span style="font-size: small;">Page Facebook Jean-Luc Dousset</span></a> </span></span><br />
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<span style="color: #660000;"><span style="font-size: large;"><span style="font-family: inherit;"><span style="font-size: small;">⧫ ⧫ ⧫ ⧫ ⧫ ⧫ ⧫ ⧫ ⧫ </span></span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="color: #0b5394;"> </span></span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;">Rencontre avec Francis PORNON</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Francis Pornon est auteur de poésies,
romans, nouvelles, essais, chansons et livrets... En 2015, il nous a accompagnés sur
les traces de «<b> Jaurès à Toulouse, lieux et mémoire</b> » en suivant
l’itinéraire de son livre publié aux Ed. Loubatières. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Passionné par la grande
culture occitane médiévale qui fut à l’origine de la poésie amoureuse et plus
généralement de la poésie occidentale ; il a publié deux romans historiques :
« <b>Les dames et les aventures du troubadour Raimon de Miraval</b> » et «<b> La Dame de
Toulouse, Azalaïs de Burlatz</b> » (TDO éditions).</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">«<b> La Fille d’Occitanie </b>» complète un triptyque
romanesque sur le Moyen Âge en Occitanie. Ce dernier livre nous raconte
Colomba, pauvresse devenue servante, qui vit à la fois le sort d’une femme
ordinaire au Moyen Âge et une exceptionnelle ascension sociale, aventures
incroyables dans un monde troublé de guerres et de croisades. Elle côtoie
Azalaïs de Burlatz, la Dame de Toulouse, avec sa Cour et accède à la poésie
amoureuse courtoise. On la suit dans les péripéties d’une femme de son temps,
amour et maternité, rencontres avec amis et amants, fréquentation de poètes,
hommes et femmes comme Raimon de Miraval et Azalaïs de Porcairagues.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Porté par le désir et l’énergie de Colomba,
l’auteur fait partager les états d’âme de l’héroïne et entraîne le lecteur en
aventures, moments graves ou festifs ainsi que chevauchées depuis la Haute
Ariège et la vallée de l’Aude jusqu’à Toulouse, Carcassonne, Béziers,
Montpellier et même la Catalogne. De quoi revivre la grande richesse de
l’histoire occitane et européenne d’alors.</span></span><br />
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<div style="text-align: center;">
<a href="https://www.francispornon.fr/" target="_blank">Site de Francis Pornon</a></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-11379502403301259152018-02-09T10:06:00.000+01:002021-01-31T18:27:43.112+01:00“50 poèmes pour la neige” 2018<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: inherit;">Pour la troisième année consécutive, notre association était organisatrice de ce festival sur Toulouse. </span></span><span style="font-size: small;"><span style="font-family: inherit;">Evénement résolument désintéressé, le seul objectif est de partager sur le thème de la neige et au-delà des frontières, un moment avec des poètes ou de simples lecteurs qui veulent faire partager leurs coups de cœur. C’est également une occasion de découvrir un poète phare à qui le festival est dédié. En 2018, <b>Pablo NERUDA</b>, grand poète chilien est à l’honneur.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Nous étions une quarantaine de participants présents pour cette soirée de partage dans la salle Antonin Perbosc de l'Ostal d'Occitanie ; la principale invitée, la neige, nous a joué faux bond au dernier moment...</span><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"> </span></span>Le festival international </span></span><span style="font-size: small;"><span style="font-family: inherit;">« 50 poèmes pour la neige » a cette année encore atteint ses objectifs de partage poétique et de convivialité, et c’est grâce à tous les intervenants :</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Jordi Vidal</b>, maintenant familier de notre festival, nous a, cette année encore, régalé avec son interprétation de 2 extraits tirés de <i>20 poèmes d’amour et une chanson désespérée</i> mis en musique par Angel Parra et Victor Jara, voix et guitares du Chili d’Allende. Merci pour cet extrait de <i>Végétations</i> poème du Canto Général sur une musique de Mikis Theodorakis, préparé tout spécialement pour notre festival et pour la somme de travail que représente l’adaptation de ces œuvres pour la guitare solo. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Un livret réalisé par Rose-Marie Van Vlasselaer regroupant les textes de Pablo Neruda avec leur traduction était à la disposition du public. </span></span><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://drive.google.com/file/d/187AlbUBTH84aKbdEU3fWEuKsQa_yUVg8/view?usp=sharing" target="_blank">Voir le livret</a></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Un vin chaud a été proposé par la Topina à "l'entracte" avant les lectures des poèmes sur la neige.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Jean-Michel Tartayre</b>, sensible aux intempéries de l’hiver et à la neige dont il fait naître une atmosphère si particulière avec sa lecture jazzée des extraits de ses ouvrages <i>Ombres bleues </i>et <i>Vers l'été suivi de Fractions du jour</i> dont le rythme évoque si bien la lente chute des flocons…</span></span> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZHMepQC6y6BTQ8j-YcMtP-79_E9HRyACXnlRNaaWtLbPuvVDspBUny4fhPL8agF4whF6xx5ltcYgYj9AoNiL6sPQFxd-Ht_vx9kboRpVChirj_Yd3WLLSEauximaKpldOlu2G9r4fObLm/s1600/IMG_7374+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1058" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZHMepQC6y6BTQ8j-YcMtP-79_E9HRyACXnlRNaaWtLbPuvVDspBUny4fhPL8agF4whF6xx5ltcYgYj9AoNiL6sPQFxd-Ht_vx9kboRpVChirj_Yd3WLLSEauximaKpldOlu2G9r4fObLm/s200/IMG_7374+%25282%2529.jpg" width="131" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Claude Barrère</b>, grâce à qui nous avons pu découvrir et apprécier Jacques Ancet, poète contemporain, dont les vers expriment si bien le temps suspendu et « les paysages gommés par la blancheur » et Colette Elissalde, poétesse albigeoise, dont le « jardin sous la neige » abrite « le merle noirci et un cerisier qui a changé de blancheur ».</span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Les éditions N&B, </b>avec son président<b> Jean-Yves Drouin</b> et le magnifique témoignage d’espoir offert par cette écrivaine poète octogénaire qui « fait rejaillir le feu de l’ancien volcan que l’on croyait trop vieux »</span></span>. </blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>André Bordes</b>, dont nous retiendrons tout particulièrement le poème un peu nostalgique, écrit spécialement pour cette soirée, sur cette vieille dame à l’hiver d’une vie de dévouement qui doit faire face à la solitude de la vieillesse.</span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">Des participants du public sont venus également partager avec nous ce moment de poésie :</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Catherine Lebel</b> a évoqué la neige avec deux textes en espagnol de Pablo Neruda extraits des <i>Hauteurs du Machu Pichu</i> et de <i>Jardin en hiver.</i></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Nicole Couzinié</b> nous a fait découvrir ou retrouver les paroles de la chanson <a href="https://www.youtube.com/watch?v=1pnkvv6jR0g" target="_blank"><i>La neige</i></a> de Claude Nougaro : « Elle tombe la neige, silencieusement / De toute sa blancheur d'un noir éblouissant ».</span></span></blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Dominique Duverneuil</b>, président de l’association <b>Des Livres et des Idées</b>, a lu un ensemble de courts poèmes écrits par Claude Barrère, pris dans le livre d’artiste <i>L’Ebloui de neige</i> illustré d’une acrylique originale de Fréderic Fau.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Durant les lectures, la projection d</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">e paysages de neige du peintre </span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Bruno Gilabert</b>, artiste du Couserans, nous</span></span> ont aidé à nous transporter un peu plus près des cimes enneigées</span></span>. </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Des poèmes "mystères" </span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">préparés par </span></span><b>Maryse </b></span></span><b><span style="font-size: small;"><span style="font-family: inherit;">Zemlianoy</span></span></b> on été distribués pour inciter à une lecture poétique.</span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Patrick Zemlianoy</b>, secrétaire de notre association, initiateur et coordonnateur du festival sur Toulouse, a remercié également Felipe Tournier de <b>Convergencia Occitania </b> qui a mis à notre disposition la salle et les moyens vidéo et à <b>La Topina</b> qui a apporté la touche de convivialité indispensable pour faire de cette soirée une réussite appréciée par tous.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Rendez-vous l’année prochaine pour la 4ème édition du</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Festival « 50 poèmes pour la neige » à Toulouse.</span></span></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-size: x-small;"><span style="font-family: inherit;"> </span></span> </span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">"50 poems for snow" :<a href="https://www.facebook.com/50poemsforsnow/"> https://www.facebook.com/50poemsforsnow/</a><br />
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Maison de l'Occitanie : <a href="http://ostaldoccitania.com/l-ostal-d-occitania/l=fr">ostaldoccitania.com</a><br />
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Chili Culture et Solidarité : <a href="http://chiliculturetls.wixsite.com/chiliculturetls">http://chiliculturetls.wixsite.com/chiliculturetls</a><br />
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Jordi Vidal : <a href="https://georgesvidal.blogspot.fr/">https://georgesvidal.blogspot.fr/</a><br />
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N&B : <a href="http://www.n-et-b-editions-poesie-toulouse.org/accueil.asp">n-et-b-editions-poesie-toulouse.org</a></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;"> </span></span></span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;">Photos de Maryse Zemlianoy et Joël Oudot – Vidéos de Luc Van Vlasselaer</span></span></span></span> </div>
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<span style="font-size: x-small;"><span style="font-family: inherit;"><i><span style="font-size: x-small;"><span style="font-family: inherit;"> </span></span> </i></span></span></div>
deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-63990346458406676062018-02-02T16:41:00.000+01:002018-02-26T09:56:42.033+01:00Soirée œnologique<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Conviviale soirée Œnologie chez Emma et Claude qui a réuni autour de Florent, un sommelier, tout autant expert que sympathique, les amis « des Livres et des Idées », anciens, actuels et peut-être futurs adhérents.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Les premiers conseils de Florent nous ont successivement permis : de savoir tenir un verre, de respirer le premier « nez », de vérifier la présence de « jambes », de faire tourner le vin dans le verre sans en renverser le contenu sur la belle nappe blanche, de retrouver (ou pas) l’intensité accrue du second nez, et seulement ensuite, après une attente insoutenable, de pouvoir absorber le fameux nectar.</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Le premier exercice nous apporté un accord parfait entre les plats (tartes, quiches, crevettes et coquilles St Jacques) et un vin AOP Jurançon sec Domaine de Montesquiou “Cuvée l’Estela” dont j’ai oublié les caractéristiques techniques mais retenu un bon souvenir gustatif.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2ANCUPKPZLMz-9wnUGsx2_LUwgdmnhVWK69HURs4PanSIyTbPc4MqoaCxUjGauTyR4MRw_pJpl4Y6jLYue2_ALDW2HDN8tdAbm387fUDXq6PLRu_lOLpSsRW9Ahr0_VwScOBv3dRYFJ9y/s1600/Clipboard02.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="182" data-original-width="182" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2ANCUPKPZLMz-9wnUGsx2_LUwgdmnhVWK69HURs4PanSIyTbPc4MqoaCxUjGauTyR4MRw_pJpl4Y6jLYue2_ALDW2HDN8tdAbm387fUDXq6PLRu_lOLpSsRW9Ahr0_VwScOBv3dRYFJ9y/s200/Clipboard02.jpg" width="100" /></span></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Le second des « travaux dirigés » de la soirée nous a fait voyager dans notre belle région d’Occitanie sur les contreforts du massif du Caroux entre "vignes et garrigues". Ce vin rouge, AOP St Chinian Domaine du Tabatau “cuvée Camprigou” qui possède à la fois des « jambes » et un nez complexe… a bien agréablement accompagné la cochonnaille : jambon, saucisson, saucisses et pâté.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxM1EPoruhrqAwBAWy6ed5dNpl9iAEY0GxIN14qYbgcykru1WpahDyvbBQEQ4FRCGvLf1nbrfVBODHe5VVXmfAFt0852GXMNr818k1DVzApu_GPoswXbrQD0QT8kk7qcWRWBtTTI_9TfSU/s1600/Clipboard03.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="391" data-original-width="756" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxM1EPoruhrqAwBAWy6ed5dNpl9iAEY0GxIN14qYbgcykru1WpahDyvbBQEQ4FRCGvLf1nbrfVBODHe5VVXmfAFt0852GXMNr818k1DVzApu_GPoswXbrQD0QT8kk7qcWRWBtTTI_9TfSU/s320/Clipboard03.jpg" width="320" /></span></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Ayant tous refusé la facilité qui aurait pu consister à recracher tout ou partie du nectar, la dégustation s’est poursuivie avec une difficulté grandissante. L’AOP Canon Fronsac Château Tourmalin “cuvée MT” était le compagnon parfait d’une ronde de fromages tous excellents.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnGd8vYJ6pyJp7nKhETqiqHqkq7QaPlyvemDFdvJssm0FklYi_me3opHoc7oCd6bW8J5Wk6wvsFRlvpg6ewTOV7TNSwryhgapn7tPvdBDRgpVXa446VRf0J08dSLZWDH7hP8hVvAwzYOzM/s1600/Clipboard04.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="113" data-original-width="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnGd8vYJ6pyJp7nKhETqiqHqkq7QaPlyvemDFdvJssm0FklYi_me3opHoc7oCd6bW8J5Wk6wvsFRlvpg6ewTOV7TNSwryhgapn7tPvdBDRgpVXa446VRf0J08dSLZWDH7hP8hVvAwzYOzM/s1600/Clipboard04.jpg" /></span></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">La dernière étape fut tout particulièrement agréable. La douceur angevine d’un vin blanc sucré, AOP Bonnezeaux Domaine des 2 Arcs, alliée à des macarons, des meringues et une rafraîchissante salade de fruits ont fait merveille pour nos papilles.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Merci à Emma et à Claude de nous avoir concocté cette belle soirée.</span></span></span></div>
deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-20572922462318791422017-12-01T15:18:00.000+01:002017-12-26T17:56:47.128+01:00Squelettes & Têtes de mort dans l’art et le quotidien<div style="text-align: center;">
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<b><span style="font-size: large;"><span style="font-family: inherit;">Le triomphe de la mort ou Cliquetis d’os et tête de mort</span></span></b></div>
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<b><span style="font-size: large;"><span style="font-family: inherit;">Représentations, Vanités en peinture et littérature</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Maryse et Cathy ont cette passion commune pour les têtes de mort et squelettes et elles ont choisi de traiter ce sujet de façon plutôt ludique, aidées par Patrick pour les recherches et le diaporama, et accompagnées par Claude qui nous a lu quelques poèmes de circonstance.</span></span></div>
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<span style="color: #cc0000;"><span style="font-size: large;"><span style="font-family: inherit;">1. Des représentations multiples dans notre quotidien </span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Les symboles de la mort sont omniprésents. Dessiner des squelettes et porter des têtes de mort est un moyen de faire peur aux revenants et donc de conjurer la mort ! </span></span><b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD7taB6GJ-k7UdBd5VIQGhoHNLJxUGDuQfN0DZgJVESNeMAbWS-G_kEkD0MAkxWPFvo0fabPla88aLMFi8AU_PatqhGa7VO-lOEVyYEcTExVMC_GKu9Nn9d9rOSXXJqBXvUKfMuvHowLqY/s1600/Clipboard02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="422" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD7taB6GJ-k7UdBd5VIQGhoHNLJxUGDuQfN0DZgJVESNeMAbWS-G_kEkD0MAkxWPFvo0fabPla88aLMFi8AU_PatqhGa7VO-lOEVyYEcTExVMC_GKu9Nn9d9rOSXXJqBXvUKfMuvHowLqY/s200/Clipboard02.jpg" width="200" /></a></div>
</td><td><br /></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Halloween</b> est au départ une fête celtique d'origine irlandaise : le nouvel an Celtique. Il y a environ 3000 ans, le calendrier celte se terminait le 31 octobre et cette dernière nuit de l'année était la nuit du dieu de la mort. En octobre, les nuits rallongent et la légende raconte que les fantômes en profitaient pour rendre visite aux vivants. </span></span></td></tr>
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<table><tbody>
<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Les celtes avaient quelques rituels dont celui de s'habiller avec des costumes terrifiants pour faire peur aux fantômes. De nos jours, ce sont les enfants déguisés qui vont de portes en portes pour réclamer des friandises. Ils crient « Trick or treat » (<i>un mauvais tour ou des bonbons !</i>)</span></span></td><td><br /></td><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhB5EdAkzI36NTlY-mK14FjfBMeY6laMqHaNu5hWA070oCnxxUhCsSMSN5rKwIPcQ6s6ugPqRmEpuCYZtrvU5nQb_auwas7J6vtZB0_5Nj9gwCtILIcHfqJ1AvCCsT8086ngiPRbznvS3o/s1600/Clipboard01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="282" data-original-width="491" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhB5EdAkzI36NTlY-mK14FjfBMeY6laMqHaNu5hWA070oCnxxUhCsSMSN5rKwIPcQ6s6ugPqRmEpuCYZtrvU5nQb_auwas7J6vtZB0_5Nj9gwCtILIcHfqJ1AvCCsT8086ngiPRbznvS3o/s200/Clipboard01.jpg" width="200" /></a></td></tr>
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<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><b>Le squelette désarticulé </b><br />
<br />
Je suis un squelette bien embarrassé. </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">L’autre jour, je descendais l’escalier, </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Tout en jouant aux osselets, </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Quand patatras ! Je rate une marche </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Et je me retrouve tout en bas </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Dans un piteux état : </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le crâne à l’envers, </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Une côte fêlée, </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le bassin de travers </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Et la jambe cassée. </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">J’ai donc pris mon tibia sous le bras </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Et suis remonté à cloche-pied </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Me faire un bandage en sparadrap </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Pour me recoller. </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Si ça continue comme ça, avec tous ces bobos, </span></i></span></div>
<div style="text-align: center;">
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Je ne vais pas faire de vieux os !</span></i></span></div>
<div style="text-align: center;">
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<div style="text-align: right;">
<span style="font-size: x-small;">Claire Renaud et Marianne Duduy-Sauze</span></div>
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<span style="font-size: x-small;"><i>Mes comptines pour Halloween</i></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Dans la mode</b>, la tête de mort est devenue glamour et tendance. On associe souvent le dessin de tête de mort aux tendances gothiques.Ce nouveau goût pour la tête de mort touche d'abord les jeunes, mais les grandes marques de prêt à porter comme Dior et Diesel ont utilisé cette tendance pour atteindre un grand public en dédramatisant l'aspect morbide de ce symbole pour le transformer en motif tendance et fantaisie. Les grandes enseignes de prêt-à-porter ont suivi le pas en exploitant cette fascination schizophrénique d’une société habitée par la mort. Les fashionistas disposent d’une palette d’articles décorés par une tête de mort. Cette dernière est également disponible dans les boutiques de bijoux, luxe ou fantaisies (par exemple à Roland Garros avec le symbole de la société Hydrogen porté par le tennisman Simone Bolelli).</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">La symbolique du crâne est très présente dans <b>les tatouages</b>. Apprécié pour son côté effrayant, provocateur et rappelant le danger, le tatouage de tête de mort se décline sous divers styles et à différents emplacements sur le corps des sujets. Etre rebelle est devenu une tendance privilégiée par les jeunes en quête d’identité.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Figure emblématique de la <b>musique rock</b>, le crâne a été vu et revu par les rockers et tous les adeptes de cette musique gothique. Le crâne incarne le symbole par excellence de la rébellion face à la guerre et les problèmes sociaux. Enfin, il possède un côté provocateur et marginal étroitement lié à la doctrine de la musique rock. Tatoué sur le bras, il symbolise pour un motard hors la loi le désir de « tricher » autant que possible (c'est à dire à vivre pleinement jusqu'à ce que la mort vienne le trouver).</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">La tête de mort inspire la crainte :</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les pavillons des corsaires et des pirates étaient généralement réalisés sur le bateau par les matelots, à l’aide de bouts de voile. C’est pour cela que les symboles étaient assez simples : ils n’étaient pas cousus par des demoiselles aux doigts fins et agiles ! </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Différents motifs, avec chacun leur signification, étaient associés pour donner à chaque drapeau son identité. C’était comme une sorte de rébus : les os illustraient la mort, les sabres la force, le sablier le temps qui passe (surtout celui des victimes !) Il n’y avait plus qu’à mélanger ! Le but principal était évidement de « foutre la pétoche » à l’adversaire.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Une affiche pour inciter les mères</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">à faire vacciner leurs enfants </span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les produits toxiques : est-ce le produit ou la société qui le fabrique qui nous fait peur ?</span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">Si pendant longtemps la tête de mort a été associée aux fans de musique rock, elle est devenue depuis quelques années un <b>objet de décoration ou d’art</b> présent même dans les maisons les plus classiques. Loin de sa mauvaise réputation, la tête de mort a repris enfin le prestige de ses représentations d’antan. C’est avec humour, horreur ou kitsch que le crâne est représenté et prend une place dans notre intérieur à travers les œuvres d’art mais aussi des objets déco souvent rigolos, ironiques. Le crâne (ou vanité) est présent partout, non pas pour nous rappeler notre mort inévitable mais plus pour s’en moquer. L’humour est notre arme contre la peur de mourir. </span></span><br />
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<span style="font-size: x-small;">Bouton de porte </span></div>
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<span style="font-size: x-small;">Et même la nature ! </span></div>
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<b><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;"> ~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span></b></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">2. Traditions et symboles autour du monde </span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Les différentes civilisations ont alors adopté le crâne pour représenter la mort ou le passage du monde réel au monde virtuel. Le choix de la tête est assez significatif dans la mesure où cette partie du corps humain est considérée comme le foyer de la conscience et le siège de l’âme. </span></span><span style="font-size: small;"><span style="font-family: inherit;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">Dans le Bouddhisme et l'Hindouisme, le crâne est présent dans l'art religieux. Le Seigneur bouddhiste de la mort, Yama, a cinq crânes autour de sa tête, symbolisant la victoire sur la haine, la cupidité, l'orgueil, l'envie et l'ignorance. Kali, la déesse hindoue de la mort porte un collier de crânes autour de son cou.</span></span><span style="font-size: small;"><span style="font-family: inherit;"> Mais la spécificité de la tête de mort en tant que symbole religieux est associé surtout aux "Calaveras" et à la "Catrina" du Mexique.</span></span><b> </b><br />
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<span style="font-size: large;"><span style="font-family: inherit;">A</span></span><span style="font-size: large;">u Mexique</span></div>
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</td><td><br /></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b><i>El Día de los Muertos</i></b> (la fête des Morts) est une forme particulière de fête des morts typique de la culture mexicaine actuelle et qui s’observe aussi dans le Sud-Ouest des Etats-Unis parmi la communauté d’origine mexicaine. Cette fête</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"> est célébrée tous les ans les 1er et 2 novembre. </span></span>Elle a pour but de rassembler les gens autour d'une fatalité commune qu'est la mort mais dans une ambiance festive avec la</span></span> réalisation d’autels privés dédiés aux morts et couverts d’offrandes, d’objets, de fleurs et de nourriture. On peut trouver des têtes de mort ornées de sombrero, de joyaux ou de plumes, des crânes en sucre ou en chocolat et les familles ont pour habitude d'aller manger sur les tombes de leurs proches. Les femmes mexicaines ont pour tradition de se maquiller d'une tête de mort colorée et festive. Cette coutume est née en 1912, lorsque José Guadalupe Posada créa ce visuel pour rappeler aux classes supérieures l'importance des coutumes locales.</span></span></td></tr>
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</style> <![endif]--><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">L’industrie du tourisme s’est fortement développée autour de cette fête. </span></span>Un dicton mexicain dit : « No se puede negociar con la muerte, pero sí se puede hacer negocio con ella. » (on ne peut négocier avec la mort mais on peut faire des affaires, gagner de l’argent avec elle).</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"> </span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">À la fois terrifiante et élégante, <i>la calavera </i>(le crâne) est devenue une mode internationale, utilisée en guise de déguisement pour la fête d'Halloween notamment. On retrouve aussi cette esthétique dans le logo de la célèbre marque de boissons <i>Cubanisto</i>, inspiré du masque de fête cubain. </span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><i>El Día de los Muertos</i></span></span> est inscrit au patrimoine culturel immatériel de l’humanité de l’Unesco et figure également dans l’Inventaire du patrimoine culturel immatériel français. </span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Au début il s’agissait d’offrandes pour « los angelitos » (enfants morts) et ensuite pour les adultes. Les traditions actuelles de cette fête au Mexique sont un mélange d’origines différentes mais en particulier chrétiennes et indigènes. Les Espagnols n’ont pas réussi à éradiquer toute référence aux rituels indigènes préhispaniques : la popularisation de l’intégration de squelettes et la figure de la Catrina seraient une résurgence tardive des rituels indigènes et plus particulièrement des déesses aztèques de la mort Mictecacihuatl et Cihuacoatl. </span></span></span></span><br />
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<b><span style="font-size: small;"><span style="font-family: inherit;"><i>La Catrina</i></span></span></b><span style="font-size: small;"><span style="font-family: inherit;"><i> </i>est une figure emblématique et populaire de la fête des morts mexicaine.</span></span><span style="font-size: small;"><span style="font-family: inherit;"> Il s'agit d'un squelette féminin vêtu de riches habits et portant généralement un chapeau, typique de la culture mexicaine, dont les origines remontent aux fêtes des morts précolombiennes. A l’époque préhispanique, il était courant de conserver des crânes comme trophées de guerre et de les afficher lors de rituels pour symboliser la mort et la renaissance.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2rzd6anhd-YO9c3xeDZBvSj6ikgeU6VtIt6_tKDyrCUiNNeiA0k1YQp4ChgThkIHoJaz0t5oi_bgH14mgpQpCWYow4IPyUZpYKAAjJtNkTW-KVGJts1gEtwYWTSdmlxgFwwP0O-kyLlE0/s1600/Clipboard19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="318" data-original-width="418" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2rzd6anhd-YO9c3xeDZBvSj6ikgeU6VtIt6_tKDyrCUiNNeiA0k1YQp4ChgThkIHoJaz0t5oi_bgH14mgpQpCWYow4IPyUZpYKAAjJtNkTW-KVGJts1gEtwYWTSdmlxgFwwP0O-kyLlE0/s200/Clipboard19.jpg" width="200" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Ce personnage au chapeau élégant et à l’allure bourgeoise a une fonction de "memento mori", destiné à rappeler que les différences de statut social n’ont aucune importance face à la mort. L’âme mexicaine est hantée par les supplices de leurs ancêtres mais également habitée par une inextinguible soif de jouir de la vie. Les mexicains croisent la <i>Catrina </i>en croquant de délicieux crânes en sucre.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">En 2012, le Mexique a fêté le centenaire de la création de la <i>Catrina</i> par le </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">caricaturiste mexicain José Guadalupe Posada</span></span></span></span>.</span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les <i><b>Calaveras</b></i> sont les représentations de la Catrina en peinture. On distingue trois </span></span><span style="font-size: small;"><span style="font-family: inherit;"><b><i>Catrinas </i>originelles :</b></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">La <b><i>Calavera Oaxaqueña</i></b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">José Guadalupe Posada, Manuel Manilla</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La<i> <b>Calavera de la Catrina </b></i><b> </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">ou<i><b> Calavera Garbancera</b>, </i></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><i> </i>Diego Rivera</span></span></div>
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<li><span style="font-family: inherit;"><span style="font-size: small;">Posada critiquait les "garbanceras", femmes d’origine indigène qui mangeaient ou vendaient des "garbanzos" (pois chiches) ou "garbanza" (préparation à base de pois chiches) car elles méprisaient leur classe sociale, copiant la mode et les usages européens, en portant de grands chapeaux décorés de tous les ornements possibles. Elles se donnaient l’air d’avoir accédé à un niveau social supérieur à leur condition.</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">Au XXe siècle, de nombreuses variantes de la <i>Catrina </i>dont celle du peintre Diego Rivera. Sa peinture murale intitulée « Sueño de una Tarde Dominical en la Alameda Central » représente la Catrina en entier, pas seulement le buste, en boa et chapeau à plumes à côté de José Guadalupe Posada. </span></span></li>
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<span style="font-size: small;"><b><i>La Calavera literaria</i></b> est une représentation humoristique accompagnée d’un poème. </span></div>
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Name="index 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/> <w:LsdException Locked="false" Priority="52"
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</style> <![endif]--><b><span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444;">Poème du Jour des Morts</span></span></i><br />
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<tr><td style="text-align: center;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Calavera</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><b> </b> </span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Ahí viene el agua</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">por la ladera,</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Y se me moja</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Mi calavera.</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">La muerte calaca,</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Ni gorda, ni flaca.</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">La muerte casera,</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Pegada con cera.</span></i></span></td><td><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxSRWI2ELfawWbFl6ZwEt5VqCJYts_XIdGRFeGpL9ckcVKZadXWtt8qy1qGrxD49lK9QdHS5A76nRCsHCLh52NROowodIit__omljceLsfTSN2_yNMUmMPHT1cYI9SjXqx_Fg8XAA3xwp/s1600/Clipboard20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="365" data-original-width="272" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxSRWI2ELfawWbFl6ZwEt5VqCJYts_XIdGRFeGpL9ckcVKZadXWtt8qy1qGrxD49lK9QdHS5A76nRCsHCLh52NROowodIit__omljceLsfTSN2_yNMUmMPHT1cYI9SjXqx_Fg8XAA3xwp/s200/Clipboard20.jpg" width="148" /></a></div>
</td><td style="text-align: center;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Crâne</span></i></span><br />
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Voici venir l'eau</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Par le coteau,</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Et mon crâne</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Se mouille.</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">La mort squelette,</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Ni grosse, ni maigre</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">La mort faite maison</span></i></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Collée à la cire</span></i></span></td></tr>
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<b>Les <i>Catrinas </i>Contemporaines </b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4z8QsoiQ47O_TIzelR3YLqHu7NfwQVdO058om16iCNRixcHikvpntvo_Sv4NQKnWDRbyJsoktliN0WmYDa4SQw9REQwhHXHhywdm4A2EnoI8J0x_gbAaD-I4x-o3gbjhs9EWVaUHn8nE/s1600/Clipboard23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="208" data-original-width="312" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4z8QsoiQ47O_TIzelR3YLqHu7NfwQVdO058om16iCNRixcHikvpntvo_Sv4NQKnWDRbyJsoktliN0WmYDa4SQw9REQwhHXHhywdm4A2EnoI8J0x_gbAaD-I4x-o3gbjhs9EWVaUHn8nE/s200/Clipboard23.jpg" width="200" /></a></div>
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<span style="font-size: x-small;"><span style="font-family: inherit;">Statuettes de "cartonería" (papier mâché) représentant une <i>Catrina </i>avec sa version masculine surnommée Catrín (Musée d’art populaire de Mexico)</span></span> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN1xRp3bkD4McD_rS0fY-6jkZIw-83oyQz5ea6e3PAKTxd33EeEhT7CclwANgIKS_uqCqvE18hdbA1nIGfOrmiLW29mk-T1rC-HKSGLpqDBZDX-UaHu8ZZB0ZrbuMGcjs2CMFXmF0hQKtT/s1600/Clipboard24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="292" data-original-width="219" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN1xRp3bkD4McD_rS0fY-6jkZIw-83oyQz5ea6e3PAKTxd33EeEhT7CclwANgIKS_uqCqvE18hdbA1nIGfOrmiLW29mk-T1rC-HKSGLpqDBZDX-UaHu8ZZB0ZrbuMGcjs2CMFXmF0hQKtT/s200/Clipboard24.jpg" width="150" /></a></div>
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<span style="font-size: x-small;"><span style="font-family: inherit;">Une <i>Catrina </i>exposée temporairement dans le</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: inherit;">parc de la Villette à Paris</span></span> </div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5I5Z34Oe24Lq9Vo8e1Hrr-FufL0fauf47PMkNiHRHF1pKR6HSRKQKhm7Kjbe4h8z-uebUGo8dDQSq0YyvcHLUDANI0c7b_19kysgEmgZZzo5WUswRFuldwygEywv6q47tUHXWZBqfqc0M/s1600/Clipboard26.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="336" data-original-width="223" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5I5Z34Oe24Lq9Vo8e1Hrr-FufL0fauf47PMkNiHRHF1pKR6HSRKQKhm7Kjbe4h8z-uebUGo8dDQSq0YyvcHLUDANI0c7b_19kysgEmgZZzo5WUswRFuldwygEywv6q47tUHXWZBqfqc0M/s200/Clipboard26.jpg" width="132" /></a></span></i></span></div>
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<span style="font-size: x-small;"><span style="font-family: inherit;">Statuettes contemporaines (Musée de la ville de León)</span></span><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> </span></i></span></div>
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<span style="font-size: large;">Les Taïnos</span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><br />
Cette civilisation, qui se développa dans les Grandes Antilles entre le Xe et le XVe siècle fut révélée grâce aux relations des premiers « conquistadores » dont Christophe Colomb et aux travaux des archéologues. <br />
Les premiers « Indiens » rencontrés par Colomb, les Taïnos et leurs objets constituent une réelle découverte pour l’amateur du XXe siècle car ils émanent de l’une des moins connues parmi les sociétés du monde précolombien. </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Il y a omniprésence de la mort et de ses représentations :</span></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjqJ9tAzJzNcPR4Q2yI0TX6EoRTz_6Sk0Qh0J9qTjG8xx4f8-b2mTU_PeN9-2OYkRqZ1gJ4QI0L8tNuI8H7bY5XoN-89Z0A8pAc2YT8h6VM-MRq17bf4Xkv3dJuKZoZJqVKmYwmjJSM5cD/s1600/Clipboard28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="358" data-original-width="431" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjqJ9tAzJzNcPR4Q2yI0TX6EoRTz_6Sk0Qh0J9qTjG8xx4f8-b2mTU_PeN9-2OYkRqZ1gJ4QI0L8tNuI8H7bY5XoN-89Z0A8pAc2YT8h6VM-MRq17bf4Xkv3dJuKZoZJqVKmYwmjJSM5cD/s200/Clipboard28.jpg" width="200" /> </a></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Ornement central d’un collier d’os et de coquillage (Saint-Domingue, collection musée d’anthropologie et d’ethnologie à Florence)</span></span> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXL8oAKNqseMucFL9trOKMcLTCdpkbnSVcvbUoZqOLbZ_vzprN4l0bvIXLx6ekP042duHQuTyzRulN7wt9LBlCQXECaWv6fQGNULk0b3tSJq7IwDp2N9jTC6fqGPlsOcm0BQXteHd8EvTQ/s1600/Clipboard29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="325" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXL8oAKNqseMucFL9trOKMcLTCdpkbnSVcvbUoZqOLbZ_vzprN4l0bvIXLx6ekP042duHQuTyzRulN7wt9LBlCQXECaWv6fQGNULk0b3tSJq7IwDp2N9jTC6fqGPlsOcm0BQXteHd8EvTQ/s200/Clipboard29.jpg" width="129" /> </a></div>
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<span style="font-size: small;"><span style="font-family: inherit;">"Zemi" de coton qui faisait office de reliquaire (Saint-Domingue, crâne humain, coton, coquillages, collection musée d’ethnographie université de Turin)</span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">A l’Ile d’Hispaniola (Haïti / Saint Domingue), ces figures de la mort, complexes et inventives, montrent la philosophie de l’existence des Taïnos : « bien vivre et bien mourir ».</span></span></div>
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<span style="font-size: large;">Un peu d'histoire</span></div>
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<span style="font-size: x-small;"> </span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La fête des morts, vieille d’environ 3500 ans, découle de nos jours de plusieurs traditions. A l’époque de Moctezuma (dernier empereur aztèque), les habitants du Mexique avaient l’habitude de venir plusieurs fois par an sur les tombes des morts. La famille du défunt dansait, chantait et laissait des offrandes afin de pourvoir aux besoins du défunt dans l’au-delà. Les Aztèques pratiquaient 2 fêtes majeures : une pour les enfants (Miccaihuitontli) et une pour les adultes (Hueymiccalhuitl). La petite fête était célébrée 20 jours avant la grande. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les Espagnols, eux, avaient l’habitude de venir dans les cimetières pour y déposer du pain, du vin et des fleurs pour la Toussaint. Ils pensaient que les âmes parcouraient la Terre et flottaient autour d’eux. Ils craignaient qu’elles s’abattent sur eux pour les emporter avec elles. Ils préparaient des autels avec du vin et du pain pour les apaiser. Des cierges les guidaient jusqu’à l’autel. Le rituel Aztèque n’a donc pas été éradiqué par les Espagnols en les convertissant au catholicisme. La date a juste été fixée afin qu’elle coïncide exactement avec le jour de tous les saints, les 1er et 2 novembre. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">De nos jours, une autre culture vient s’ajouter à cette fête : Halloween. C’est pourquoi on rencontre dans les rues des enfants déguisés en Dracula, momies et autres morts vivants et ils disent « calaveras » selon la tradition del <i>día de los Muertos</i>, afin d’obtenir des friandises ou des pièces de monnaie. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: large;">Les "danses macabres" en Europe</span></span></span></div>
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<b><span style="font-size: small;"><span style="font-family: inherit;">Guerres, pestes et famines :</span></span></b><span style="font-size: small;"><b> </b><span style="font-family: inherit;">Les Quatre Cavaliers de l'Apocalypse qui ont décimé les populations ont fait de la mort un compagnon au quotidien pour les populations du </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Moyen-Âge.</span></span> La peste noire en 1348 à Toulouse : 30% de mortalité soit 12 000 sur les 35 000 habitants. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>La Danse macabre </b>est un motif artistique populaire, à la fois présent dans le folklore européen et élaboré à la fin du Moyen-Âge. Par cette sarabande qui mêle morts et vivants, la Danse macabre souligne la vanité des distinctions sociales, dont se moquait le destin, fauchant le pape comme le pauvre prêtre, l'empereur comme le lansquenet. C'est une leçon morale adressée aux vivants afin de réfléchir à notre condition : elle console les plus pauvres et apprend aux plus grands que personne n'est au-dessus des lois. Sa composition se fait de manière hiérarchique : elle fait d'abord entrer les "grands" (pape, empereur, roi, cardinal ou patriarche) puis descend l'échelle sociale en faisant entrer les "petits" (laboureur, enfant, cordelier, ermite). Les vivants sont donc des personnages représentant les différentes strates sociales et les morts sont squelettiques, dansent, font des cabrioles, se moquent et entraînent vers la mort les vivants, en s'affabulant de leurs attributs (couronne, épée, instruments de musique). </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">La Chaise-Dieu (Haute-Loire), vraie fresque dans l'église de l'abbaye bénédictine de Saint-Robert. Une danse macabre sans texte, mais illustrant un poème. Elle date de 1470.</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;">La danse macabre de la collégiale Saint-Salvi (</span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;">XIe siècle)</span></span></span>, du nom du 1er évêque de la ville d’Albi au VIe siècle.</span></span></span></td></tr>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Tout au long du XVe siècle et au début du XVIe, ce thème est peint sur les murs des églises, dans les cimetières d'Europe du Nord, sur les murs extérieurs des cloîtres, les charniers, les ossuaires. Au-dessus ou au-dessous de l'illustration sont peints des vers par lesquels la mort s'adresse à la victime, souvent sur un ton sarcastique et empreint de cynisme. Il est diffusé à travers l'Europe par les textes poétiques colportés par les troupes de théâtre de rues. </span></span></td><td><br /></td><td><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Kernascléden cœur du domaine des Rohan-Guémené. Consécration de l’église en 1453.</span></span></td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Dans <i>Le triomphe de la mort </i>(1562), </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Pieter </span></span>Brueghel l’Ancien nous dépeint par une bataille morbide l’absurdité de la condition humaine. Une armée de squelettes déferle sur l’humanité, toutes classes sociales confondues. Aux vêtements, on remarque des paysans, des mendiants, des soldats, des bourgeois et des nobles. <span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">En bas à gauche, un roi encore tout vêtu des symboles de sa puissance semble moqué par un squelette exhibant un sablier : son temps est venu. Cadavérique, il étend son bras vers un squelette en armure qui s’apprête à lui dérober son or. </span></span>Un peu plus à droite, c’est le pouvoir ecclésiastique qui est moqué par la mort : un cardinal est soutenu par un autre squelette dont le crâne est orné du fameux chapeau cardinalice rouge. </span></span></span></span>A l’avant-plan, à droite, l’armée de la mort semble commandée par un squelette à la faux qui mène la charge, monté sur un cheval décharné. Terrorisée, la foule s’engouffre dans un grand tunnel cubique dont l’ouverture est marquée d’une grande croix. A n’en point douter, tous s’avancent tambour battant vers leur propre mort.</span></span></span></span></blockquote>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Le thème traverse les époques. De nombreux peintres (Hans Holbein le Jeune), des poètes (Baudelaire, Verlaine, Cazalis…), des auteurs (Flaubert), des musiciens (Liszt, Saint-Saëns, Benjamin Britten, Honegger...), des cinéastes (Fellini, Bergman…) s'emparent de celui-ci et permettent de redécouvrir ces œuvres tombées dans l'oubli.</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://www.youtube.com/watch?v=hzt9gdiVD5I&list=RDhzt9gdiVD5I" target="_blank">Le Bal des Pendus de Rimbaud par le chanteur Babx</a></span></span></span></span></div>
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<span style="font-weight: normal;"><span style="font-size: x-small;"><span style="font-family: inherit;">Tête de mort avec les attributs du mendiant et du roi, Mosaïque de Pompéi.</span></span></span></h3>
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</td><td><br /></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Ceci nous conduit à parler de “memento mori” : genre artistique de créations de toutes sortes dont le but est de rappeler aux hommes qu’ils sont mortels, que la mort à la fois acte de fin de vie mais aussi dans son absoluité est partout. La locution latine « Souviens-toi que tu vas mourir » montre à la fois le début et la fin.</span></span><br />
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<b><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;"> ~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span><span style="font-size: large;"><span style="font-family: inherit;"><span style="color: #cc0000;">~~~</span></span></span></b></div>
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<span style="color: #cc0000;"><span style="font-size: large;"><span style="font-family: inherit;">3. Les vanités</span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: medium;"><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Les vanités illustrent, de façon symbolique, le thème philosophique de l’impermanence de l’homme. Ce sont des natures mortes, des allégories ou encore des images de saints qui représentent l’inéluctabilité de la mort, la futilité des plaisirs ou encore la fragilité des biens terrestres. Elles dénoncent également la relativité de la connaissance et la vanité du genre humain. </span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Saint Jérôme dans sa cellule</i> – Albrecht Dürer, 1521</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Cornelis Norbertus Gysbrechts, peintre à la cour du Danemark, 1670</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Vanitas</i> – Simon Renard de Saint-André, XVIIe siècle</td></tr>
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<b><span style="font-size: small;"><span style="font-family: inherit;">Quels sont les éléments récurrents dans une vanité ?</span></span></b><span style="font-weight: normal;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></span></div>
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<span style="font-weight: normal;"><span style="font-size: small;"><span style="font-family: inherit;">La fuite du temps qui passe, la brièveté de la vie sont évoquées par des sabliers, des bougies qui se consument ou des horloges.</span></span></span><span style="font-weight: normal;"><span style="font-size: small;"><span style="font-family: inherit;"> Le crâne, bien entendu, évoque la mort qui ne manquera pas d’arriver. Les effets du temps sont aussi souvent représentés à travers les fleurs (qui se fanent rapidement), les fruits (qui s’abîment), les pierres (qui se fendent)… </span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />Les plaisirs de la vie sont considérés comme « vains ». Ils ne sont que futiles et dérisoires au moment de mourir. Ainsi les vanités présentent des éléments qui font référence aux sciences (des compas ou des globes), aux arts pour les joies de l'existence (la musique, la littérature, la peinture) à la puissance et aux honneurs pour l'inanité de l'existence (pièces d’argent, médailles, bijoux, coquillages) et bien sûr à la beauté (miroir).</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><i>St François en méditation sur le crucifix</i> – Le Caravage, 1603</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>La Vanité</i> – Philippe de Champaigne, 1646</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivZ66HPz5n4I9UfPiEi5aTz6PuuyrSce2adsbXxpy1dkRDdFhrnA4kAb8Uj3PK2z4FpxTgt4WH0MRFLXFEBt8eVwFUx6eNjW2G736qu3dQ__SG0ILad0aPxtTJcbL49mlEa3TziACzanFh/s1600/Clipboard41.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="431" data-original-width="338" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivZ66HPz5n4I9UfPiEi5aTz6PuuyrSce2adsbXxpy1dkRDdFhrnA4kAb8Uj3PK2z4FpxTgt4WH0MRFLXFEBt8eVwFUx6eNjW2G736qu3dQ__SG0ILad0aPxtTJcbL49mlEa3TziACzanFh/s200/Clipboard41.jpg" width="156" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>La Madeleine à la veilleuse</i> – Georges de la Tour, 1640</td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Comment les vanités ont-elles évolué à travers le temps ? </b><br /> </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">« Vanité des vanités, tout est vanité », cette citation datant du IIIe siècle av. J.-C. fait partie d’un texte de l’Ancien Testament. Elle apparaît de plus en plus dans les retables du XVIe et début du XVIIe siècle, en latin sur des banderoles à côté d’un crâne au pied de la Croix. </span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;"> <br />
Pour qualifier des œuvres picturales mettant en balance la mort et les œuvres humaines avec force objets symboliques, le terme « vanité » ne s’impose en France qu’en 1756 après le succès du peintre Chardin qui a redonné à la nature morte ses lettres de noblesse.</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSb6HiWQX5mlNGpGazuRPspqwjqU7skHYkvYU_bYe-dOIMjNGj5mxaroeRUuvz_ZJifuQg_jeKugzQyvi-evIt3ruKKsW_QvBHGZzexrmsAtSfJr5SxW7EW6tssbjk5zNSS5ZLouJSwpsW/s1600/Clipboard43.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="395" data-original-width="295" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSb6HiWQX5mlNGpGazuRPspqwjqU7skHYkvYU_bYe-dOIMjNGj5mxaroeRUuvz_ZJifuQg_jeKugzQyvi-evIt3ruKKsW_QvBHGZzexrmsAtSfJr5SxW7EW6tssbjk5zNSS5ZLouJSwpsW/s200/Clipboard43.jpg" width="148" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Crâne de squelette fumant une cigarette</i> – Vincent Van Gogh </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx0GNnGHn4lEiWTcSYJfeqoqtqd4UTyDgPEcOIFCxQhKgeKOuhRD7BscNUtenF_HRCyJirTpJCoCEALh2bX2dBgG3WFB84qCJgDmvGOH5lO2d-Y4EgLWLKwMmJhuvsG56WLwZfKtTxZlWO/s1600/Clipboard44.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="363" data-original-width="587" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx0GNnGHn4lEiWTcSYJfeqoqtqd4UTyDgPEcOIFCxQhKgeKOuhRD7BscNUtenF_HRCyJirTpJCoCEALh2bX2dBgG3WFB84qCJgDmvGOH5lO2d-Y4EgLWLKwMmJhuvsG56WLwZfKtTxZlWO/s200/Clipboard44.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Les Péchés Capitaux dominés par la Mort </i>– James Ensor, 1904</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>All is Vanity</i> – Charles Allan Gilbert</td></tr>
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</center>
<span style="font-size: small;"><span style="font-family: inherit;"> Le symbolisme du crâne est instinctif chez l'homme : l'esprit humain, spécialement formé à reconnaître les visages, capable de voir les expressions sait instinctivement que le «visage» dont nous regardons le crâne était il y a bien longtemps un visage humain. Pas étonnant que le crâne humain soit un symbole quasi universel de la mort. Dans de nombreuses cultures, il est considéré comme un rappel de notre propre mortalité, Dans l'art chrétien et la culture, le crâne a été utilisé comme un symbole de l'éternité, de la repentance, de la vanité humaine, et comme un rappel que la voie du salut.
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<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><b>L'amour et le crâne</b></span></i></span></span></span></i><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><b> </b></span></i></span></span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444; font-size: x-small;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><b> </b></span></i></span><br />
<span style="color: #444444;">L'Amour est assis sur le crâne <br />
De l'Humanité, <br />
Et sur ce trône le profane, <br />
Au rire effronté, <br />
Souffle gaiement des bulles rondes <br />
Qui montent dans l'air, <br />
Comme pour rejoindre les mondes <br />
Au fond de l'éther. <br />
Le globe lumineux et frêle <br />
Prend un grand essor, <br />
Crève et crache son âme grêle <br />
Comme un songe d'or. <br />
J'entends le crâne à chaque bulle <br />
Prier et gémir : <br />
" Ce jeu féroce et ridicule, <br />
Quand doit-il finir ? <br />
Car ce que ta bouche cruelle <br />
Eparpille en l'air, <br />
Monstre assassin, c'est ma cervelle, <br />
Mon sang et ma chair ! "</span></span></span></i><br />
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<span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444;">Charles Baudelaire</span></span></span></span><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #444444;"> </span></span></span></i></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Paul Cézanne Pablo Picasso</td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;">Picasso n’a jamais rencontré Cézanne son aîné de 42 ans mais « Il était notre père à tous », confiera-t-il à son ami Brassaï. Il ajouta même : « Si je connais Cézanne ! Il a été mon seul et unique maître ! Vous pensez bien que j’ai regardé ses tableaux, j’ai passé des années à les étudier… »</span></span><br />
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UnhideWhenUsed="true" QFormat="true" Name="heading 7"/> <w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/> <w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/> <w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/> <w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/> <w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46"
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<div style="text-align: justify;">
<span style="font-size: small;"><i>Balustre et Crane</i> prédit une série de natures mortes créées par Braque, appelées <i>Vanitas</i>, dans lesquelles les objets symbolisent l'agonie ou la misère mentale. Il a peint des crânes à plusieurs reprises après son retour de la guerre et au début de la Seconde Guerre mondiale. Braque y utilise un éventail de couleurs pour représenter les réactions émotionnelles à l'inconfort politique qu'il ressentait à propos de la guerre</span>.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sMbIGm2akE608O71tO7XKKylShhmuN6gOHjpMyXzcARDUkGf7JBuiCgVHx1vP-D0fJbDsu20XAEr_McjGrcRdYM6Ze-EwR4iWhYfHK1MDA0tfrxMsHesehqF21nGmVVivS6RkNqIXYqP/s1600/Clipboard49.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="448" data-original-width="459" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sMbIGm2akE608O71tO7XKKylShhmuN6gOHjpMyXzcARDUkGf7JBuiCgVHx1vP-D0fJbDsu20XAEr_McjGrcRdYM6Ze-EwR4iWhYfHK1MDA0tfrxMsHesehqF21nGmVVivS6RkNqIXYqP/s200/Clipboard49.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Balustre et Crane – Georges Braque, 1938</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFK9aUBFiFj730QAHs1d67jjxXLzXcmDg6rYHHE3eXdp-Y9KNxbKMckaYVapk6AiNlDTbSGSVISQyGisc2beZEZwtqjC4bHZljsjQnNR0urbY7k2v11k8NcOKG5GUbcYGwwFwbtvQpeuod/s1600/Clipboard50.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="419" data-original-width="852" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFK9aUBFiFj730QAHs1d67jjxXLzXcmDg6rYHHE3eXdp-Y9KNxbKMckaYVapk6AiNlDTbSGSVISQyGisc2beZEZwtqjC4bHZljsjQnNR0urbY7k2v11k8NcOKG5GUbcYGwwFwbtvQpeuod/s320/Clipboard50.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Salvador Dali Otto Dix</td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;">Dans <i>Le visage de la guerre</i> (1940) Dalí dénonce les horreurs de la vie, tout ce qui conduit à la mort, à la destruction et la souffrance. </span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Dans <i>Horreurs de la Grande guerre</i>, Otto Dix montre le crâne d'un soldat mort au combat. Celui-ci est recouvert d'insectes sortant de tous les orifices, représentant la répugnance que l'artiste a ressenti.</span></span><br />
<br />
<br /></div>
</td> </tr>
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<br />
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<span style="color: #444444;"><b><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Canción primaveral</span></span></i></b></span></div>
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">En el monte solitario,</span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">un cementerio de aldea </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">parece campo sembrado </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">con granos de calaveras </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">Y han florecido cipreses </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left; vertical-align: baseline;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">como gigantes cabezas </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">que con orbitas vacias</span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">y verdosas cabelleras </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">pensativas y dolientes </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">el horizonte contenplan </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">Abril divino, que vienes</span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">cargado de sol y esencias, </span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
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<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">llena con nidos de oro</span></span></span></i></span></div>
<div style="text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left;">
<span style="color: #444444;"><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="ES">las floridas calaveras !</span></span></span></i><span style="font-size: x-small;"><span style="font-family: inherit;"> Federico Garcia Lorca</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">« En ce sens général, la tête de mort est un emblème de la caducité de l’existence, lequel apparaît dans les exemples littéraires de Hamlet et de Faust. Cependant, comme la coquille de l’escargot, c’est bien une réalité, « ce qui reste » de l’être vivant une fois le corps détruit. Il acquiert aussi le sens de vase de la vie et de la pensée ; en ce sens symbolique, la tête de mort apparaît dans les livres sur la transmutation. Multitude d’actes superstitieux, rituels ou dérivés dans le même esprit. »</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><i>Diccionario de los simbolos tradicionales</i></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><span style="font-family: inherit;">J. E Cirlot – Barcelona (1959)</span></span></div>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Niki a consacré 20 ans, de 1979 à 1998 à la réalisation du <b>Jardin des Tarots</b> en Toscane, inspiré du célèbre jeu de cartes divinatoires. Dans ce parc, tout est couleurs, rondeurs, scintillements. Le Parque Guell de Gaudi et l’œuvre du Facteur Cheval l’ont influencée. Elle considérait son œuvre comme la grande aventure de sa vie. Son but était de réaliser un « Jardin de la Joie ». Pour elle, la mort ne fait pas peur vue de l’extérieur, quand on est vivant ; elle est gaie, habillée de lumière, de couleurs.</span></span></td> <td><br /></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSbaFYagmYqa5zNyYCY6bAsDKDz3ochTZox1rmQzE9D-1iv351DR-jQKl_niIOibDUPzy5Fx8Rs5NZmAIwmHtQh1ScNvmjLBz7SEIzF4g8qQ0LyHl13OvXdFs4DC40mPcANfGr3_pMRQoi/s1600/Clipboard51.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="486" data-original-width="807" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSbaFYagmYqa5zNyYCY6bAsDKDz3ochTZox1rmQzE9D-1iv351DR-jQKl_niIOibDUPzy5Fx8Rs5NZmAIwmHtQh1ScNvmjLBz7SEIzF4g8qQ0LyHl13OvXdFs4DC40mPcANfGr3_pMRQoi/s200/Clipboard51.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikki de Saint Phalle (1930-2002) –<i> La fourmi habile et la Cabeza</i></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;"><i>La Cabeza</i> (2000) a été exposée en 2015 à Paris au « 104 », associée à la rétrospective consacrée à l’artiste au Grand Palais. Enorme tête sur laquelle les enfants peuvent grimper, entrer, sauter et glisser. Ce crâne est constitué de mousse de polyuréthane, soutenu par une armature d’acier et de résine, revêtu d’éclats de miroir, de galets, de coquillages, de cailloux et d’incrustations de verre millefiori. <i>La Cabeza</i> n’est pas funèbre, bien au contraire. L’artiste qui a habité dans la ville californienne de La Jolla s’est inspiré des traditions mexicaines. Les attributs de la mort, les squelettes, les crânes, les os sont décorés de couleurs vives et sont au centre de fêtes joyeuses. Si on célèbre la mort c’est qu’on est vivant. Alors autant profiter de la vie et de ses plaisirs. Renversement des fonctions des vanités : elles n’invitent pas le croyant à la traversée d’une vallée de larmes mais au contraire à l’épicurisme le plus débridé.</span></span><span style="font-size: small;"><span style="font-family: inherit;"> Niki parlant de la mort disait : « There is no death. There is change-transformation. Our life is eternal. »</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Nous avons terminé gaiment la soirée par un pot de l'amitié accompagné de </span></span></div>
<div style="text-align: justify;">
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;">sucreries en forme de crâne apportées par Cathy.</span></span></div>
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</style> <![endif]--><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: large;"><b>Vendredi 9 juin </b></span><br />
</span></span><br />
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;">Après une rapide installation dans notre hôtel B&B de Bègles, idéalement situé à proximité du TRAM, nous nous sommes réunis pour un pique-nique de retrouvailles sur les bords de Garonne.<br />
Une Garonne large, presque déjà un estuaire, dont le flot s’inverse au rythme des marées n’a qu’une ressemblance lointaine avec notre rivière tout juste descendue des Pyrénées.</span></span></div>
<div style="text-align: justify;">
<center>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzzTIF_2gQxr99A7FdAO66lWHeDv9qzpM-7wZHmR-GiDJicdlRiseMHvh-4MjhfZtNvXpKiEBqYXvOm1m3-sNeh4_hLUR8y5mAzcBOXQ0tFjiBoeYct76OwQQ5WYaSJrKqD_zPpuuqUMLd/s1600/Clipboard10.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzzTIF_2gQxr99A7FdAO66lWHeDv9qzpM-7wZHmR-GiDJicdlRiseMHvh-4MjhfZtNvXpKiEBqYXvOm1m3-sNeh4_hLUR8y5mAzcBOXQ0tFjiBoeYct76OwQQ5WYaSJrKqD_zPpuuqUMLd/s200/Clipboard10.jpg" width="200" /></a></div>
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</td><td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR-QsQu_xnDQ1Opj394SOZEBePQtxUeXDTMWi_HL22jWMTeF52G1XX_r-NKPIl3Uaon6U0sxsyw1rfeqlwgRFRpEIjb7VJHNJfHjiaufgDzXV4LHKd7-LsuQQ22Urxfe3g5IxXRBZcoVvB/s1600/Clipboard07.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR-QsQu_xnDQ1Opj394SOZEBePQtxUeXDTMWi_HL22jWMTeF52G1XX_r-NKPIl3Uaon6U0sxsyw1rfeqlwgRFRpEIjb7VJHNJfHjiaufgDzXV4LHKd7-LsuQQ22Urxfe3g5IxXRBZcoVvB/s320/Clipboard07.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Le pont de pierre</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
</center>
</div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Le ciel Bordelais était bien menaçant mais a eu finalement pitié d’une poignée de Toulousains un peu bruyants et dissipés qui ont pu ainsi finir une soirée bien agréable dans un espace vert au beau milieu de la ville.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Le retour rapide vers l’hôtel après une longue journée nous a fait apprécier le TRAM qui nous simplifiera nos trajets pendant tout le séjour.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"> <span style="font-size: large;"><b>Samedi 10 juin</b></span>
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<span style="font-size: small;"><span style="font-family: inherit;">Notre organisatrice nous l’avait précisé : « Pour la visite de la ville prévoir de bonnes chaussures » ; et la suite nous a prouvé qu’elle avait raison.<br />
Premier contact avec le centre-ville de Bordeaux : <b>le Grand Théâtre</b> et <b>la place de la Comédie</b>. Des perspectives haussmanniennes (ici on dirait tournisiennes) une élégance et une certaine unicité de l’architecture des XVIIIe et XIXe donne cet air plus « bourgeois » à la ville qui la différencie de Toulouse plus « médiévale ».</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Le Grand Théâtre</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Place de la Comédie</td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Notre guide nous entraine alors sous un beau soleil dans une visite détaillée et brillamment commentée.</span></span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Place du Parlement</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"> La fontaine des Girondins<br />
Place des Quinconces</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Porte Cailhau</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Place du Palais</td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;">Bordeaux la ville antique, capitale administrative de la province romaine d’Aquitaine (les rues Sainte-Catherine et Saint-Rémi sont les vestiges des axes principaux de cette époque : le <i>decumanus</i> et le <i>cardo maximus</i>).</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"> Puis au XIIe siècle, la ville est alors rattachée à la couronne anglaise. Elle le restera pendant trois siècles, tout comme l’Aquitaine qui, prononcée à l’anglaise, devient la <i>Guyenne</i>.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"> L’église Saint Pierre dans le quartier du port (ancienne embouchure de la Dévéze autour de laquelle s’est construite la ville primitive) est un des rares témoins du Bordeaux médiéval.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"> Le retour à la couronne de France sonne le glas de la prospérité de la ville, des conflits opposent les Bordelais au pouvoir royal ; le roi décide d’agrandir la forteresse du château Trompette et les canons des forts sont autant tournés vers l’extérieur que vers l’intérieur : On se méfie des Bordelais !</span></span></div>
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Bordeaux connaît son second apogée du milieu du XVIIe siècle jusqu'à la
Révolution française. Cette prospérité provient à nouveau de son port,
qui va devenir le premier port du royaume... La ville commerce le vin,
mais aussi le sucre colonial et les esclaves.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><b>L’église Notre Dame</b> de style baroque a été conçue par l’architecte du roi et grand urbaniste de Bordeaux ; nous traversons des rues et petites places agréablement ombragées ou il ferait bon musarder mais la ville reste encore à découvrir…</span></span></td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;">L’incontournable <b>place de la Bourse</b> et son miroir d’eau dans cette belle perspective des quais sont, sans conteste, le temps fort de notre visite. Les bâtiments qui entourent la place étaient destinés à servir de somptueux écrin à la statue équestre du roi de France Louis XV malheureusement détruite à la Révolution. </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Et ce miroir d’eau, idée de génie à la fois pour la vision des bâtiments dans le reflet et pour le rafraichissant brouillard (pouvant atteindre jusqu'à 2 mètres de hauteur) que nous avons expérimenté dans une fin de matinée qui devenait de plus en plus chaude. En fonctionnement depuis 2006, il présente une superficie de 3 450 m², ce qui en fait le plus grand du monde.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> Le restaurant « Le chaudron Saint Rémi » s’est révélé une bonne adresse à la fois par l’accueil que par la qualité du repas.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Quelques péripéties à l’entrée du <b>Grand Théâtre</b> que nous n’avons pu visiter que par demi-groupe. Inauguré le 7 avril 1780, le Grand-Théâtre de Bordeaux, œuvre de Victor Louis, Prix de Rome et membre éminent de la loge maçonnique, est réputé encore aujourd'hui comme l'un des plus beaux théâtres du monde. Près d'un siècle plus tard, le grand escalier inspirera Charles Garnier pour le dessin de celui de l’Opéra de Paris.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> Cette visite nous a enrichis sur le plan du vocabulaire et ouvert des perspectives : il existe un endroit (au moins au théâtre) au-dessus du « paradis » : c’est l’« attique »… Etre au-dessus du paradis : tout un programme !</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Afin de compléter notre connaissance de la ville, deux visites s’imposent pour des épicuriens amoureux de livres : celle des cannelés « Baillardran » temple de la gourmandise et celle de la librairie Mollat, première librairie indépendante française.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Le repas du soir dans la brasserie « Le Plana » – la famille de la célèbre interprète de "Viva Espana" et "Riquita" a habité à l’emplacement de l’actuel restaurant. Cette soirée a été un moment convivial au cœur de la ville dans la chaleur d’une nuit d’été.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: large;"><b>Dimanche 11 juin</b></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Une autre institution omniprésente pendant notre visite de la ville c’est le vin. Il est à l’origine de la prospérité de Bordeaux et les grandes familles bordelaises y vouent un véritable culte. Il fallait une cathédrale à la hauteur de ce culte païen : c’est <b>la Cité du Vin </b>dont la flèche de 55 m de haut s’impose dans le ciel bordelais.<br />
Gigantesque, elle s’étend sur 13 350 m² répartis sur 10 niveaux. C’est un voyage à travers le temps et l’espace à la découverte du vin dans ses dimensions culturelle, civilisationnelle, patrimoniale et universelle : plus de 10 heures de contenus de visite grâce à plus de 120 productions audiovisuelles et un outil numérique qui accompagne le visiteur pour une découverte personnalisée.</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;">Nous avons terminé la visite de la cité du Vin par une dégustation au Belvédère.</span></span><span style="font-size: small;"> </span><span style="font-size: small;"><span style="font-family: inherit;">La cerise sur le gâteau : depuis la terrasse, la vue panoramique sur Bordeaux et le <b>pont levant Chaban-Delmas</b>, ouvert à la circulation en </span></span><span style="font-size: small;"><span style="font-family: inherit;">mars 2013, autre merveille architecturale.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Pour notre brunch du midi, nous avons visité un lieu alternatif, <b>Darwin</b>, installé dans la vaste friche de la caserne Niel depuis le départ des militaires en 2005. Ce haut lieu du graff et du street-art est situé sur ces berges de la rive droite longtemps réputées « malfamées » dans ce Bordeaux portuaire et ouvrier du quartier de la Bastide.<br />
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<span style="font-size: small;"><span style="font-family: inherit;">Un grand merci à Emma et Claude qui nous ont</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">concocté un beau week-end de fin de saison.</span></span></div>
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<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Photos de Maryse</span></span></i></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-83255736857468995642017-05-05T09:02:00.000+02:002017-07-06T10:48:37.081+02:00Voyage de Marie-France et Michel<div style="text-align: center;">
<span style="font-size: x-large;"><span style="font-family: inherit;"><span style="color: #cc0000;">Tunisie et Algérie </span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">C’est un beau roman, c’est une belle histoire …</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Le récit de Marie France nous ramène de nombreuses années en arrière, plus précisément un an avant la révolution de 1968.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les soubresauts de l’actualité au moyen orient et plus particulièrement la guerre des 6 jours ont conduit 2 jeunes gens, qui étaient encore des inconnus au début de cette histoire, à se retrouver ensemble, en partance pour la Tunisie sur un Ferry qui faisait route de la Sicile vers Tunis.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les photos semblent provenir directement d’une vielle malle qu’un explorateur aurait oublié, témoignages d’un passé disparu.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Les villes actuellement réputées pour être envahies par des hordes de touristes (Tunis, Tabarka, Carthage, Sousse, Kairouan…) semblent encore authentiques. L’hospitalité et les gestes de la vie quotidienne des habitants photographiés par Marie-France ne sont pas les représentations à l’usage des tours opérateurs qu’ils sont devenus à l’époque du tourisme de masse.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">L’immensité des lacs de sel de Tozeur, la gâchette facile des gardes-frontières entre Algérie et Tunisie, que le récit que Marie-France nous fait revivre, nous semblent bien disproportionnés par rapport à la fragilité d’une jeune fille française qui n’avait pas à cette époque le vécu d’un reporter de guerre…</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La suite du voyage de Michel à la recherche des peintures rupestres, témoignages d’un Sahara luxuriant, nous fait parcourir les pistes du Hoggar et du Tassili emprunté par les caravanes.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Un beau roman, une belle histoire qui dure encore aujourd’hui.</span></span><br />
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-70320963503184187272017-04-23T14:49:00.000+02:002017-04-27T17:57:09.994+02:00Sortie BEAUMONT DE LOMAGNE & ABBAYE DE BELLEPERCHE<div style="text-align: justify;">
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<span style="font-family: inherit;"><span style="font-size: small;">La visite de la <b>Bastide de Beaumont de Lomagne </b>sous un beau soleil de printemps a été un temps fort de cette journée. Notre guide Sandy nous en a fait découvrir toutes les facettes.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Sa construction (bastide tardive fondée en 1276 à la suite de l'acte de paréage entre l'abbaye de Grandselve et le roi Philippe le Hardi), la halle du XV</span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;">ᵉ</span></span> siècle, les hôtels particuliers, l’église forteresse, la Maison Natale de Pierre de Fermat...</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;">L'église Notre-Dame de l'Assomption est de style gothique méridional et son clocher octogonal toulousain culmine à 51m. Née de la volonté des moines de Grandselve, elle fut conçue comme une forteresse avec chemin de ronde et machicoulis. Pendant la révolution, elle fut transformée en magasin à fourrage. En</span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"> 1843, </span></span>l'église fut classée "Monument Historique" par l'écrivain Mérimée, Inspecteur Général des Monuments Historiques.</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;">Le clou de cette visite a été la vue magnifique des toits de la bastide et de la cathédrale depuis la tour de l’Hôtel de Fermat.</span></span><br />
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<blockquote class="tr_bq">
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<span style="font-family: inherit;"><span style="font-size: small;"> </span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;">Le repas au restaurant « Le Saint Jean » a été un grand moment de convivialité ; qualité de la cuisine et accueil chaleureux.</span></span></span></span></div>
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<span style="font-size: small;"><span style="font-size: small;">L’après-midi était déjà bien avancée quand nous sommes arrivés à l’<b>Abbaye de Belleperche</b><span style="font-family: inherit;"> en longeant la Garonne.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Ancien monastère cistercien, fondée au XIIᵉ siècle, fermée à la Révolution, elle est devenue à partir de 1995, propriété du Conseil Général de Tarn-et-Garonne qui a choisi d'orienter la nouvelle existence de Belleperche vers les arts de la table.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Nous avons parcouru l'exposition « <i>La table est mise</i> » qui illustre l'évolution des objets destinés à la boisson et à la consommation des aliments mais aussi au décor de la table, depuis la fin du Moyen-Age jusqu'à nos jours.</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;">Cerise sur le gâteau nous avons eu la chance de participer à la 10ème édition du festival "<i>Made in Asia</i>", pour laquelle l'Abbaye de Belleperche s’était mise à l'heure asiatique.</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;">Nous avons conclu cette belle journée par un concert de musique traditionnelle interprétée par le groupe « Fusion japonaise ».</span></span> Nous y avons découvert la beauté de l’objet et des sons du koto, instrument à 13 cordes proche de la cithare, importé de Chine au Japon au début du VIII</span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;">ᵉ</span></span> siècle.</span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;"> Merci à Diana et à Patrice qui ont contribué à faire de cette sortie une belle journée remplie de découvertes culturelles et d’amitié.</span></span></blockquote>
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<span style="font-family: inherit;"><span style="font-size: small;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Photos : Maryse et Cathy </span></i></span></span></div>
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deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-50777936342478902082017-04-07T16:22:00.000+02:002017-04-26T14:40:19.403+02:00PIERRE DE FERMAT<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: inherit;"><i>Pour préparer la visite de la maison natale de Pierre de Fermat, Patrick nous a déroulé avec brio quelques rappels mathématiques et énigmes sur le fameux théorème...</i></span></span></div>
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<tr><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;"><b>Pierre de F<span style="font-family: inherit;">ERMAT</span></b> est né à Beaumont de Lomagne en 1601, d'un père négociant en cuir et riche propriétaire (consul de Beaumont). Il a fait ses humanités à Grandselves, à Orléans puis à Toulouse où il avait un oncle Capitoul.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">Il n'était pas mathématicien professionnel, mais magistrat. En 1631 Il achète une charge de commissaire aux requêtes au parlement de Toulouse, puis en 1637, il devient à Castres membre de la Chambre de l'Edit (de Nantes). </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">Ses compétences de magistrat ne semblent pas exceptionnelles pour autant, ainsi que le sous-entend un rapport secret envoyé à Colbert en 1663.</span></span> </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Plaque au sol sur la Place Jean Jaurès à Castres</td></tr>
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</td><td><br /></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Il a eu une correspondance abondante et privée avec beaucoup d'autres savants comme Galilée, Descartes, Pascal, avec lesquels il échange des notes et des défis mathématiques...</span></span><br />
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Il est mort à Castres en 1665 et la première énigme est le lieu de sa sépulture : Castres ou l'Eglise des Augustins ?</span></span><br />
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<tr><td style="text-align: justify;"><i><span style="font-size: small;"><span style="font-family: inherit;">Quel lien entre le Nil et la Gimone ?</span></span></i><br />
<i><span style="font-size: small;"><span style="font-family: inherit;">Comment retrouver les limites des champs rectilignes sous le limon déposé par le Nil était la question récurrente des paysans égyptiens. Et, du paiement de l’impôt, dépendait la richesse de Pharaon !!!</span></span></i></td><td><br /></td><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA_3hZxH6jvA0rGI0aE2g-HwQ5kVvpBL2_NwQ2l_lEj-JUa61dy-VJSmvTM8Tu24AJgCGZPZ5KSbudhg0ERLEm9PquxmNlkHcLYcojC3kc6Ahcw6DOvnyBXSxuHZNlPLdBO3HOJ8brHMPA/s1600/Clipboard02.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="77" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA_3hZxH6jvA0rGI0aE2g-HwQ5kVvpBL2_NwQ2l_lEj-JUa61dy-VJSmvTM8Tu24AJgCGZPZ5KSbudhg0ERLEm9PquxmNlkHcLYcojC3kc6Ahcw6DOvnyBXSxuHZNlPLdBO3HOJ8brHMPA/s200/Clipboard02.jpg" width="200" /></a></td></tr>
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<span style="font-size: small;"><span style="font-family: inherit;">Les mesures de terre ont commencé avec les tireurs de lignes « <i>harpenodaptas</i> » : les arpenteurs. C’est devenu une science que les grecs appelèrent Géo-Métrie, de γῆ (gê) : terre et μέτρον (métron) : mesure.</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La corde à <span style="font-family: inherit;">nœuds (3<span style="font-family: inherit;">;</span><span style="font-family: inherit;"></span>4<span style="font-family: inherit;"><span style="font-family: inherit;">;</span></span>5) permet<span style="font-family: inherit;"> </span>de tracer un angle droit<span style="font-family: inherit;">...</span></span> C'est l<span style="font-family: inherit;">e premier</span> de l'infinité de triplets pythagoriciens qui donnent les dimensions d'<span style="font-family: inherit;">un <span style="font-family: inherit;">triangle</span> forcément rectangle.</span></span></span> </div>
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<span style="font-size: small;"><span style="font-family: inherit;">Un triplet (X<span style="font-family: inherit;">;</span>Y<span style="font-family: inherit;">;</span>Z) est pythagoricien s'il vérifie : </span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Z² = X² + Y²</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Par exemple : (12<span style="font-family: inherit;">;</span>5<span style="font-family: inherit;">;</span>13), (15<span style="font-family: inherit;">;</span>8<span style="font-family: inherit;">;</span>17), (24<span style="font-family: inherit;">;</span>7<span style="font-family: inherit;">;</span>25),...</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">12</span>² + <span style="font-family: inherit;">5</span>²</span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"> = 169 et <span style="font-family: inherit;">13</span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">²</span></span> = 16<span style="font-family: inherit;">9</span></span> </span></span></td> <td></td> <td><div class="separator" style="clear: both; text-align: center;">
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<br /></td><td></td><td style="text-align: justify;"><span style="font-size: small;"><span style="font-family: inherit;">Dans <span style="font-family: inherit;">son</span> livre VI de <i>Arithmétiques</i>, DIOPHANTE évoque le partage d'un carré en somme de deux carrés.<span style="font-family: inherit;"> </span><span style="font-size: small;"><span style="font-family: inherit;">Et en marge, F<span style="font-family: inherit;">ERMAT</span> écrivit sur son exemplaire :<br />
<span style="font-family: inherit;">« </span><i>Il est impossible de partager soit un cube en deux cubes, soit en général une puissance quelconque supérieure au carré en deux puissances de même degré.<span style="font-family: inherit;"> </span>J'en ai découvert une démonstration véritablement merveilleuse que cette marge est trop étroite pour contenir</i> ». </span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: inherit;"><i><span style="font-family: inherit;"> </span></i></span></span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: inherit;"><i><span style="font-family: inherit;">n</span></i> étant un <span style="font-family: inherit;">entier</span> naturel non nu<span style="font-family: inherit;">l :</span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: inherit;">La <span style="font-family: inherit;">conjecture </span></span></span><span style="font-family: inherit;">q<span style="font-family: inherit;">ui a <span style="font-family: inherit;">obséd<span style="font-family: inherit;">é <span style="font-family: inherit;">les</span> <span style="font-family: inherit;">mathématiciens </span></span></span></span></span>pe<span style="font-family: inherit;">ndant plus de 350 ans </span>était <span style="font-family: inherit;">posée ! </span></span></span> </span></span></div>
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<li><span style="font-size: small;"><span style="font-family: inherit;">Le<span style="font-family: inherit;"> </span>Suisse Leonhard<span style="font-family: inherit;"> </span>EULER<span style="font-family: inherit;"> </span>(1707-1783) prouva<span style="font-family: inherit;"> </span>l'absence de solution entière <span style="font-family: inherit;">pour</span> le cas n =<span style="font-family: inherit;"> </span>3. Il fit<span style="font-family: inherit;"> </span></span></span><span style="font-size: small;"><span style="font-family: inherit;">fouiller la maison de </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">F<span style="font-family: inherit;">ERMAT</span> </span></span>à Beaumont.</span></span></li>
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<li><span style="font-size: small;"><span style="font-family: inherit;"> Sophie GERMAIN (1776-1831)<span style="font-family: inherit;"> </span>se heurt<span style="font-family: inherit;">a</span> à de nombreux obstacles (autres que mathématiques !) et à des préjugés.</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">En 1828, Pierre<span style="font-family: inherit;"> </span>LEJEUNE-DIRICHLET <span style="font-family: inherit;">prouve le théorème pour </span>n = 5.</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">En<span style="font-family: inherit;"> </span>1847,<span style="font-family: inherit;"><span style="font-family: inherit;"> </span>Gabri<span style="font-family: inherit;">el</span></span> LAME affirma<span style="font-family: inherit;"> </span>avoir<span style="font-family: inherit;"> </span>trouvé<span style="font-family: inherit;"> </span>la<span style="font-family: inherit;"> </span>démonstration<span style="font-family: inherit;"> </span>complète,<span style="font-family: inherit;"> </span>mais<span style="font-family: inherit;"> </span>l'Allemand<span style="font-family: inherit;"> </span>KUMMER<span style="font-family: inherit;"> </span>(1810-1893)<span style="font-family: inherit;"> </span>y<span style="font-family: inherit;"> </span>découvrit<span style="font-family: inherit;"> </span>une<span style="font-family: inherit;"> </span>erreur...</span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;"> </span></span><span style="font-size: small;"><span style="font-family: inherit;">En 1850, l'Académie<span style="font-family: inherit;"> </span>des<span style="font-family: inherit;"> </span>Sciences de<span style="font-family: inherit;"> </span>Paris<span style="font-family: inherit;"> </span>offre<span style="font-family: inherit;"> </span>un <span style="font-family: inherit;">p</span>rix de <span style="font-family: inherit;">3</span>00 000 francs-or. </span></span></li>
<li><span style="font-size: small;"><span style="font-family: inherit;">Paul WOLFSKEHL, mathématicien amateur, fut<span style="font-family: inherit;"> </span>éconduit par <span style="font-family: inherit;">s</span>a femme, il décida de mettre fin à ses<span style="font-family: inherit;"> </span>jours.<span style="font-family: inherit;"> </span>Peu<span style="font-family: inherit;"> </span>avant<span style="font-family: inherit;"> </span>l'heure<span style="font-family: inherit;"> </span>fatidique, <span style="font-family: inherit;">f</span>euilletant<span style="font-family: inherit;"> </span>dans sa bibliothèque<span style="font-family: inherit;"> </span>les<span style="font-family: inherit;"> </span>dernières<span style="font-family: inherit;"> </span>publications<span style="font-family: inherit;"> </span>concernant la « conjecture » de F<span style="font-family: inherit;">ermat,</span> il crut entrevoir la solution et se mit<span style="font-family: inherit;"> </span>au travail<span style="font-family: inherit;"> </span>avec ardeur. Le temps passa... et <span style="font-family: inherit;">l</span>e suicide<span style="font-family: inherit;"> </span>aussi<span style="font-family: inherit;"> !<span style="font-family: inherit;"> </span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;">Reconnaissant<span style="font-family: inherit;"> </span>envers<span style="font-family: inherit;"> </span>le <span style="font-family: inherit;">p</span>roblème<span style="font-family: inherit;"> </span>qui lui avait sauvé la<span style="font-family: inherit;"> </span>vie, il offrit dans son testament 100 000 DM à qui résoudrait l'énigme.</span></span></li>
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<span style="font-size: small;"><span style="font-family: inherit;"> Le dernier héros s'appelle A<span style="font-family: inherit;">ndrew</span> WILES né à Cambridge en 1953. <br />
A 10 ans, il emprunta à la bibliothèque locale un ouvrage qui retraçait l'historique de la conjecture de </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">F<span style="font-family: inherit;">ERMAT </span></span></span></span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">: </span>« <i>Cela avait<span style="font-family: inherit;"> </span>l'air<span style="font-family: inherit;"> </span>si<span style="font-family: inherit;"> </span>simple<span style="font-family: inherit;"> </span>et pourtant aucun des grands mathématiciens n'avait pu le résoudre. Il y avait<span style="font-family: inherit;"> </span>là un problème qu'à dix ans je pouvais comprendre. Et je sus dès cet instant que je ne l'abandonnerais jamais. Il me fallait le résoudre !!!</i> » <br />
Devenu <span style="font-family: inherit;">mathématicien</span> à <span style="font-family: inherit;">P</span>rinceton (USA), il en fait la démonstration définitive devant les<span style="font-family: inherit;"> </span>plus grands mathématiciens du <span style="font-family: inherit;">m</span>onde à Cambridge<span style="font-family: inherit;"> </span><span style="font-family: inherit;">en</span> avril 1995<span style="font-family: inherit;"> (sa <span style="font-family: inherit;">démonstration</span> de </span></span></span><span style="font-size: small;"><span style="font-family: inherit;">juin <span style="font-family: inherit;">1</span>993<span style="font-family: inherit;"> comportait une erreur).</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge8FrVH8QbfPB6oD1E_cAkIPlpEL2rG3avinwrywmOLx1eRkU2SM1GS4pfGEF7t8p2c1XQAjEOomy7pxb0WpKK_7u6f-_hjiMG8OhpH9h28TFbh-rQ7WcXhJ4kzQsBmeKVP9Dov6tbqYCr/s1600/Clipboard015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge8FrVH8QbfPB6oD1E_cAkIPlpEL2rG3avinwrywmOLx1eRkU2SM1GS4pfGEF7t8p2c1XQAjEOomy7pxb0WpKK_7u6f-_hjiMG8OhpH9h28TFbh-rQ7WcXhJ4kzQsBmeKVP9Dov6tbqYCr/s320/Clipboard015.jpg" width="320" /></a></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;">La preuve tient en un milliers de pages. FERMAT n'avait pas menti : la marge dans le livre de DIOPHANTE n'aurait pas suffit ! Ou bien avait-il trouvé une solution plus élégante ?</span></span><span style="font-size: small;"><span style="font-family: inherit;"><b> </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"><b>Pour en savoir plus :</b></span></span><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><i>Le dernier théorème de Fermat</i> de Simon Singh</span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> ISBN : 978-2709618540</span></span></div>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">Mise en équation et solution</span></span></span></span><br />
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: inherit;">en cliquant sur l'image</span></span></span><br />
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<span style="color: #444444;"><b><span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Epitaphe sur le tombeau de Diophante</span></i></span></span></b></span></div>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: inherit;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Passant, sous ce tombeau repose Diophante, </span></i></span></span></span><br />
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Et quelques vers tracés par une main savante <br />
Vont te faire connaître à quel âge il est mort : <br />
Des jours assez nombreux que lui compta le sort,</span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> Le sixième marqua le temps de son enfance ; </span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Le douzième fut pris par son adolescence.</span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> Des sept parts de sa vie, une encore s'écoula, </span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Puis, s'étant marié, sa femme lui donna</span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;"> Cinq ans après un fils qui, du destin sévère </span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Reçut de jours, hélas ! deux fois moins que son père. </span></i></span></div>
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<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">De quatre ans, dans les pleurs, celui-ci survécut : </span></i></span></div>
<span style="color: #444444;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Dis, si tu sais compter, à quel âge il mourut.</span></i><i><span style="font-family: "georgia" , "times new roman" , serif;"><br />
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<span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span><span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span><span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span><span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span><span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span><span style="color: #cc0000;"><span style="font-family: "georgia" , "times new roman" , serif;">⬔⬕</span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span style="color: #cc0000;">LE FIL ROUGE</span> </b></span></span></div>
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<span style="font-size: small;"><span style="font-family: inherit;"> Voici la liste des livres sur lesquels nous avons ensuite échangé : </span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Via Appia </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Jacques de Saint Victor</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Le grand marin </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Catherine Poulain</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Dans les forêts de Sibérie </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de </span></span><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Sylvain Tesson</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Le Chant des pistes </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Bruce Chatwin</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">L'ombre de la route de la Soie </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Colin Thubron</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Voyage avec un âne dans les Cévennes </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Robert Louis Stevenson</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Longue marche </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de</span></span><i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;"> </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Bernard Ollivier</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Bérézina </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Sylvain Tesson</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">American rigolos, Chroniques d'un grand pays </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Bill Bryson</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Les gastronomes de l'extrême </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Bruno Fuligni</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Voyage d'une parisienne à Lhassa </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Alexandra David-Néel</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Sur la route du papier </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">d'</span></span><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Erik Orsenna</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">Flatland </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">d'Edwin A. Abbott</span></span></div>
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<i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">La longue route </span></span></i><span style="font-size: 130%;"><span style="font-family: "times" , "times new roman" , serif;">de Bernard Moitessier</span></span></div>
deslivresetdesideeshttp://www.blogger.com/profile/04230563885877763870noreply@blogger.comtag:blogger.com,1999:blog-1116089363871872229.post-60284414454655068952017-03-19T18:51:00.000+01:002017-03-23T19:06:04.335+01:00EXPOSITION au Musée des Augustins<div style="text-align: center;">
<span style="font-size: large;"><span style="color: #990000;"><b>"Fenêtres sur cours"</b></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzqNzKOFvPZIB3MunZ6qJXY2pXqHmNjAkuZlToyicn5yWQ2Jg7CLigzSNkizZJ7YlGxbIyc8punW3FDIx4eSMjZAyMu9LEDbrSKzmA6DfOLDrUd1_LFBdCM0QFAGYLRD5mhlpuz5ED95G/s1600/Clipboard07b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzqNzKOFvPZIB3MunZ6qJXY2pXqHmNjAkuZlToyicn5yWQ2Jg7CLigzSNkizZJ7YlGxbIyc8punW3FDIx4eSMjZAyMu9LEDbrSKzmA6DfOLDrUd1_LFBdCM0QFAGYLRD5mhlpuz5ED95G/s200/Clipboard07b.png" width="133" /></a></div>
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<span style="font-size: small;"><span style="font-family: inherit;">Sur une proposition de sortie de Marie-France, nous nous sommes retrouvés le 19 mars au Musée des Augustins pour découvrir la première exposition jamais conçue sur le thème des cours intérieures, très présentes pourtant dans la peinture de paysage ou d’architecture. </span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">Une belle promenade picturale <span style="font-family: inherit;">pendant laquelle</span> notre groupe a eu <span style="font-family: inherit;">quelques coups de <span style="font-family: inherit;">cœur, en particulier pour </span></span>les deux <span style="font-family: inherit;">“</span><i><span style="font-family: inherit;">P</span>atios bleus</i>”<span style="font-family: inherit;"> </span>et<span style="font-family: inherit;"> “</span><i>Crédit municipal</i><span style="font-family: inherit;">”</span> de <span style="font-family: inherit;"><b>Santi<span style="font-family: inherit;">ago </span></b></span><b>Rusiñol</b><span style="font-family: inherit;"> (</span>peintre, auteur et dramaturge catalan <span style="font-family: inherit;">mentor de</span> Picasso). </span></span></td> </tr>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Le musée réunit 90 peintures du XVIe au XXe siècle provenant de collections publiques et privées, françaises et internationales : atriums, patios, cloîtres, cours de palais, de fermes et cours urbaines. Désertes ou peuplées, elles sont une exploration poétique entre paysage, architecture réelle ou imaginée, grande et petites histoire(s) qui parlent essentiellement de l’humain. </span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">L’espace de la cour intérieure est riche d’arrière-plans sociologiques, architecturaux ou historiques. Pour le peintre, c’est un lieu où pulse l’histoire mais également un décor de la vie publique ou privée de ses personnages. Entre intérieur et extérieur, cet espace lui permet d’associer la lumière du jour et l’ombre protectrice de l’intimité, la pompe des grands événements et la chaleur du foyer. </span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">La thématique est illustrée avec des tableaux du XVI<span style="font-family: "georgia" , "times new roman" , serif;">e</span> au XX<span style="font-family: "georgia" , "times new roman" , serif;">e</span> siècle sans exclusivité d’école ou de mouvement artistique. Certaines périodes bénéficient d’un éclairage particulier : le XVIIe siècle nordique pour les cours de tavernes, de maisons ou de palais fantasmagoriques ; les peintres d’architecture italiens du XVIIIe siècle ; le XIXe siècle français pour les cloîtres reconstitués à la troubadour ou laissés à l’état de ruines, le goût néo-grec et ses atriums, les réalismes et leur regard chirurgical porté sur la misère urbaine ; l’orientalisme avec son appétence pour les patios ainsi que l’impressionnisme dans sa captation du plein air<span style="font-family: "georgia" , "times new roman" , serif;"> </span>; le XXe siècle enfin avec des visions décalées ou poétiques de ce lieu de toutes les mélancolies.</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Les tableaux sont présentés dans un parcours scénographique composé de sept sections : </span></span></i></div>
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<tr> <td style="text-align: center;"><span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>L’atrium et le pati<span style="font-family: inherit;">o</span></b> </span></span></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">D</span>u péplum à l’orientalisme</span></span></span></td> <td><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDx7LjbvfiL1222DfRZglWmpizx3cZ0Uc7XzcFm1-TWkAQy6LmtgGQDAp9rq6aNHugkCGB2Nn9OBjMVelprA8yu0vIGeFae7RI2aNYj9VJoAKgoGSka7tK-pl8SFnO-zSPj4WpFK0KtA1Z/s1600/Clipboard03.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDx7LjbvfiL1222DfRZglWmpizx3cZ0Uc7XzcFm1-TWkAQy6LmtgGQDAp9rq6aNHugkCGB2Nn9OBjMVelprA8yu0vIGeFae7RI2aNYj9VJoAKgoGSka7tK-pl8SFnO-zSPj4WpFK0KtA1Z/s200/Clipboard03.png" width="145" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS8QASHnrzjCrsyxvEPkY5bePhtA-7lIScgHlOqH8-Rnhah-0TVgm3YgX_uNTrY1NUvXnzuqCj8PiOqQD4LkzsM5IpmZ89R2-jL-mv7wfARYrhOppf8UCNdacDIRNt2U0zK7Vc3k3OfHx_/s1600/Clipboard08.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="164" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS8QASHnrzjCrsyxvEPkY5bePhtA-7lIScgHlOqH8-Rnhah-0TVgm3YgX_uNTrY1NUvXnzuqCj8PiOqQD4LkzsM5IpmZ89R2-jL-mv7wfARYrhOppf8UCNdacDIRNt2U0zK7Vc3k3OfHx_/s200/Clipboard08.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><b>Santiago Rusiñol</b> – <i>Patios bleus</i></span></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4ZLzLff9FHhG_CgC6qG56dLcQC5shvSEItJZJqOcS9ASPGoj8J9K8ygpJxCmXrpcVmcDwngfm_PpaSO5QRmzONk37VjiywAbvWaqUpjgw8JNRN2D16kyhqbc6g3018BHpDzKXHutpKZX/s1600/Clipboard010.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4ZLzLff9FHhG_CgC6qG56dLcQC5shvSEItJZJqOcS9ASPGoj8J9K8ygpJxCmXrpcVmcDwngfm_PpaSO5QRmzONk37VjiywAbvWaqUpjgw8JNRN2D16kyhqbc6g3018BHpDzKXHutpKZX/s200/Clipboard010.png" width="200" /></a></td></tr>
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<span style="font-size: x-small;"><b>William Bouguereau</b> – <i>Ulysse reconnu</i></span></div>
<span style="font-size: x-small;"><i>par sa nourrice à son retour de Troie</i></span></td></tr>
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<span style="font-size: x-small;"><span style="font-family: inherit;"><b>Edme Alfred Alexis Dehodencq</b></span></span></div>
<span style="font-size: x-small;"><i><span style="font-family: inherit;">Cour de maison marocaine</span></i></span></td></tr>
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<span style="color: #990000;"><span style="font-family: inherit;"><span style="font-size: small;"><b>Le cloître</b> </span></span></span></div>
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<span style="color: #990000;"><span style="font-family: inherit;"><span style="font-size: small;">Entre pittoresque </span></span></span></div>
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<span style="color: #990000;"><span style="font-family: inherit;"><span style="font-size: small;">et mysticisme</span></span></span></div>
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<span style="font-size: 9px;"> <span style="font-size: x-small;"><span style="font-family: inherit;"><b>Henri Rachou </b>– <i>Méditation</i></span></span></span> </div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Gianfilippo Usellini</b><br />
Le Parachute</span></span></td></tr>
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<tr> <td style="text-align: center;"><span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>La cour de ferme</b> </span></span></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;">L’air de la campagne</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"> </span></span></i></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6E4gpdowGRuSyzx6iJyxWNewZcURloVw1GpPhFVqqpOE-E2RU-I3pPSPpuJJafgcg5xal4CQ8j3adI2mSudTm-7IOvK2Bh36yYoSEz-KCDV-cY8HnBndV89x7_ZG67Kr1yYbdU_a0uj-/s1600/Clipboard020.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6E4gpdowGRuSyzx6iJyxWNewZcURloVw1GpPhFVqqpOE-E2RU-I3pPSPpuJJafgcg5xal4CQ8j3adI2mSudTm-7IOvK2Bh36yYoSEz-KCDV-cY8HnBndV89x7_ZG67Kr1yYbdU_a0uj-/s200/Clipboard020.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Bourdon</b> – <i>Le Repos des colporteurs</i></span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Corot</b> – <i>Cour d'une maison<br />
de paysans aux environs de Paris</i></span></span></td></tr>
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<table><tbody>
<tr> <td style="text-align: center;"><span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>La cour comme lieu de vie</b> </span></span></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;">Sociabilités entre quatre murs</span></span></span></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtSwTCsPIiBpDtDAorx6DsvFppeMhi7ffAsxFG_8RuXZozfFNOpok6YrefWW_I5zapGyTHB5CHR3FVcMuDNS1dqnOWhJUcf_Ss1_PBy8f7xFLRLTn3QAKEagbz2VdCvLIQSBn2BSxJs7P7/s1600/Clipboard01.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtSwTCsPIiBpDtDAorx6DsvFppeMhi7ffAsxFG_8RuXZozfFNOpok6YrefWW_I5zapGyTHB5CHR3FVcMuDNS1dqnOWhJUcf_Ss1_PBy8f7xFLRLTn3QAKEagbz2VdCvLIQSBn2BSxJs7P7/s200/Clipboard01.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Pierre Duval Le Camus père</b><i><br />
Les Cancans chez la portière</i></span></span></td></tr>
</tbody></table>
</td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc2BWHsLEXMOJoLtk3uqXHUS_l68uV5XMyUjE7ZK-UxRvmCeOE5DqqiyKr7e5g-jjIVGSN9WQmkE-tLH84bSeUst_qlhoy3y480bF4Gf8k019OZPNlnDJXJPkGuefRLv-WiA5WYE7JMFUB/s1600/Clipboard03b.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc2BWHsLEXMOJoLtk3uqXHUS_l68uV5XMyUjE7ZK-UxRvmCeOE5DqqiyKr7e5g-jjIVGSN9WQmkE-tLH84bSeUst_qlhoy3y480bF4Gf8k019OZPNlnDJXJPkGuefRLv-WiA5WYE7JMFUB/s200/Clipboard03b.png" width="150" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>René Joseph Gilbert</b><i><br />
L'hôtel-restaurant Fournaise</i></span></span></td></tr>
</tbody></table>
</td> </tr>
</tbody></table>
</center>
<center>
<table><tbody>
<tr> <td style="text-align: center;"><span style="color: #990000;"><b><span style="font-size: small;"><span style="font-family: inherit;">La cour de palai<span style="font-family: inherit;">s</span> </span></span></b></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: inherit;">S</span>cénographie et splendeur</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"> </span></span></i></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXRmDrwVQN6CgOZmDFci1W6WFWiiWvaSp47fAmxwXQjfgvJQB-xdP8fzPmvvjZ3r9vLpQVXV3FWptQwtLJrD6wqs3MQR0FVR7y0KumTKE8CImPB6GQI3Bvno66RUzeCU4cPdJM_IuMIQF/s1600/Clipboard05.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXRmDrwVQN6CgOZmDFci1W6WFWiiWvaSp47fAmxwXQjfgvJQB-xdP8fzPmvvjZ3r9vLpQVXV3FWptQwtLJrD6wqs3MQR0FVR7y0KumTKE8CImPB6GQI3Bvno66RUzeCU4cPdJM_IuMIQF/s200/Clipboard05.png" width="154" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Constantin Hansen</b><i><br />
La cour du Palazzo Vecchio</i></td></tr>
</tbody></table>
</td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBOk6qnOXqRzcyPmInlNL0zmFoB54CfeXjswIS7Y2hD5Z3q4tNMeYou_rZsYgOgW4inxRHWhtabIUHiLvUBJxO4yB1lFtM3XL55fuKMNxYg3WXuir9sIktKvXq2XpHsDM7WAGdp9JvH08Y/s1600/Clipboard040.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBOk6qnOXqRzcyPmInlNL0zmFoB54CfeXjswIS7Y2hD5Z3q4tNMeYou_rZsYgOgW4inxRHWhtabIUHiLvUBJxO4yB1lFtM3XL55fuKMNxYg3WXuir9sIktKvXq2XpHsDM7WAGdp9JvH08Y/s200/Clipboard040.png" width="141" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Jean-Baptiste Berlot</b><br />
Ruines d'un bain antique</span></span></td></tr>
</tbody></table>
</td> </tr>
</tbody></table>
</center>
<center>
<table><tbody>
<tr> <td style="text-align: center;"><span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;"><b>La cour urbaine</b> </span></span></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;">Surprise et métamorphoses</span></span></span><br />
<span style="color: #990000;"><span style="font-size: small;"><span style="font-family: inherit;">de la ville</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"> </span></span></i></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsvaQbXbU_E-oGLxCbgX5mBfa1NyU-2GHodFEbIjBMuHq_qgC3Mc8Qzv86Bhv4kRisfzwpxY8JebZ4sPEK5_CK61sGb60lQ8V7AgMX6TF3UPlGj5mqraEsBiq1IRqcWY-mk-0adAKtfHuM/s1600/Clipboard09.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsvaQbXbU_E-oGLxCbgX5mBfa1NyU-2GHodFEbIjBMuHq_qgC3Mc8Qzv86Bhv4kRisfzwpxY8JebZ4sPEK5_CK61sGb60lQ8V7AgMX6TF3UPlGj5mqraEsBiq1IRqcWY-mk-0adAKtfHuM/s200/Clipboard09.png" width="108" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Gianfilippo Usellini</b><br />
Le <span style="font-family: inherit;"><span style="font-family: inherit;">Nu</span>vole</span></span></span></td></tr>
</tbody></table>
</td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoN9uetAw7TihmjwjvQYYQiViWnbuukSK_RHA7qU4TuVK0Gw5izYgTqAlASyro0eIjxbE7h2HjTVyUl1ZzxSTYq7w0anzq0twP6Cx5OyxWHESUZ0pPAbn2o3Hs2DJplDoZI7_3UeiVvQPY/s1600/Clipboard050.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoN9uetAw7TihmjwjvQYYQiViWnbuukSK_RHA7qU4TuVK0Gw5izYgTqAlASyro0eIjxbE7h2HjTVyUl1ZzxSTYq7w0anzq0twP6Cx5OyxWHESUZ0pPAbn2o3Hs2DJplDoZI7_3UeiVvQPY/s200/Clipboard050.png" width="163" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>François Bonvin</b> – Le cochon</span></span></td></tr>
</tbody></table>
</td> </tr>
</tbody></table>
</center>
<center>
<table><tbody>
<tr> <td style="text-align: center;"><span style="color: #990000;"><b><span style="font-size: small;"><span style="font-family: inherit;">La cour, théâtre</span></span></b></span><br />
<span style="color: #990000;"><b><span style="font-size: small;"><span style="font-family: inherit;">de l’Histoire</span></span></b></span></td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcCsx8ATE0SRExVMzVcuSO4ZAzjIpOYJVipUCeZ_QykX3YSyUSs8C99nZ2YH9WuVuARjdvhfCUFBjyp5mEDlcfPi1sqEOR-E8vX67hXHx2M72O3CXgKQY6ZAl_NV-lvBhRXkbM31VgQCBA/s1600/Clipboard060.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcCsx8ATE0SRExVMzVcuSO4ZAzjIpOYJVipUCeZ_QykX3YSyUSs8C99nZ2YH9WuVuARjdvhfCUFBjyp5mEDlcfPi1sqEOR-E8vX67hXHx2M72O3CXgKQY6ZAl_NV-lvBhRXkbM31VgQCBA/s200/Clipboard060.png" width="155" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: x-small;"><span style="font-family: inherit;">Jules Girardet</span></span></b><i><span style="font-size: x-small;"><span style="font-family: inherit;"><br />
Louise Michel à Satory</span></span></i></td></tr>
</tbody></table>
</td> <td><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjERKf-opA9O9bInmRoEeMoMgIS-Q4ctewVvfFsuFRP7UcxKvC_IU79LMvIDlRyeTDmwWNS9K_WLsn8nl3MLXhJydmLOGHbdeb2k9xy06uu6kQ-zxoMCpPscY8k8hEdxXOn-gZHXqhWxDdD/s1600/Clipboard0100.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjERKf-opA9O9bInmRoEeMoMgIS-Q4ctewVvfFsuFRP7UcxKvC_IU79LMvIDlRyeTDmwWNS9K_WLsn8nl3MLXhJydmLOGHbdeb2k9xy06uu6kQ-zxoMCpPscY8k8hEdxXOn-gZHXqhWxDdD/s200/Clipboard0100.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;"><b>Robert-Fleury</b><i> – Le docteur Pinel<br />
libérant les aliénées à la Salpêtrière </i></span></span></td></tr>
</tbody></table>
</td> </tr>
</tbody></table>
</center>
<b><span style="font-size: small;"><span style="font-family: inherit;">Et également :</span></span></b></div>
<blockquote class="tr_bq">
<span style="font-size: small;"><span style="font-family: inherit;"><b>Fabius Brest</b> : <i>Cour de caravansérail à Trébizonde </i></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Antoinette Cécile Hortense Lescot </b>: <i>Le jeu de la main chaude </i></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>François-Marie Firmin </b>: <i>Les convalescents</i> </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Paul Vredeman de Vries et Adriaen Van Nieulandt</b> : <i>Salomon accueillant la reine de Saba dans son palais </i></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Allessandro Magnasco</b> : <i>L'arrivée et l'Interrogatoire des galériens dans la prison de Gênes </i></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Hubert Robert</b> : <i>L’École de chirurgie en construction</i></span></span></blockquote>
<b>...</b><br />
<br />
<i><span style="font-family: "georgia" , "times new roman" , serif;">L'exposition,
par la diversité de ses œuvres, offre des contrepoints intéressants
dans la mesure ou certains tableaux peuvent évoquer la « banalité »
d'une cour de ferme alors que d'autres organisent l'irruption du sacré,
du fait religieux. La poésie a cette force de pouvoir mêler le
quotidien et l’extraordinaire comme dans les œuvres d'Usellini : Le
Parachute et le Nuvole. La force esthétique de certaines œuvres et leur
capacité à susciter des émotions permet aussi de trouver de
l'extraordinaire dans l'ordinaire. Au sens qu'un tableau, image fixe
dans un monde en perpétuel mouvement, peut nous inviter dans un
dialogue intime presque silencieux. Un moment rare, rendu possible par
la confrontation matérielle du spectateur et de l’œuvre.</span></i><br />
<div style="text-align: justify;">
<br />
<div style="text-align: right;">
<span style="font-size: small;"><span style="font-family: inherit;">Extraits du dossier pédagogique de l’exposition – Musée des Augustins</span></span></div>
</div>
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